{"id":1300,"date":"2016-04-26T17:13:26","date_gmt":"2016-04-26T06:43:26","guid":{"rendered":"http:\/\/www.wakefieldpress.com.au\/blog\/?p=1300"},"modified":"2016-04-26T17:35:59","modified_gmt":"2016-04-26T07:05:59","slug":"invisible-mending-launch","status":"publish","type":"post","link":"https:\/\/www.wakefieldpress.com.au\/blog\/2016\/04\/invisible-mending-launch\/","title":{"rendered":"Invisible Mending launch"},"content":{"rendered":"

On April 17 we were excited to host the launch of Mike Ladd’s new collection\u00a0Invisible Mending<\/em><\/a>\u00a0right here at Wakefield Press.<\/p>\n

Rachael Mead had the honour of launching Mike’s book. We recently hosted an exhibition of Rachael’s photography alongside the launch of Cassie Flanagan Willanski’s\u00a0Here Where We Live<\/a>, <\/em>and it was a pleasure to have her back.<\/p>\n

If you weren’t able to make it to the launch, don’t worry we’ve got you covered. You can read Rachael’s speech below!<\/p>\n

\n

Hello and thank you all so much for coming. It is my great pleasure and honour today to be launching the latest book by one Australia\u2019s most loved and lauded writers \u2013 Mike Ladd.
\nI\u2019ve just used the label \u201cwriter\u201d and while we are here to celebrate the launch of Mike\u2019s ninth book, to call Mike a writer is to try to squeeze him into a box that doesn\u2019t properly contain him. Don\u2019t get me wrong, Mike is one of Australia\u2019s most esteemed poets and you can find his work in just about every anthology of Australian poetry in existence. Mike started his career as a poet at seventeen and by 25 he published his first collection The Crack in the Crib.<\/em>
\nJust as he was launching his literary career, he started work for the ABC in Adelaide as a sound engineer and by 1997 he\u2019d worked his way up to creating and producing his own Radio National program, Poetica<\/em> which ran for 18 years until 2015, when it was taken off the air much to the outrage of Australia\u2019s literary community. Mike\u2019s current role with Radio National is in the features and documentary unit but once again the box of documentarian doesn\u2019t contain him either.<\/p>\n

In the 80s Mike was a musician in the new wave band The Lounge <\/em>and he frequently collaborates with musicians and artists, writing poetry for the screen and live performance with groups such as The Drum Poets, newaural net, and Max Mo. <\/em> He writes, films and edits video poetry and I would recommend finding Zoo After Dark<\/em>, and\u00a0The Eye of the Day <\/em>on YouTube.<\/p>\n

\"Rachael
\nMost recently he and his partner the wonderful visual and installation artist Cathy Brooks have been running projects that put poems on street signs as public art and you can see their work in the Adelaide Bus Station and Tram Stop 6 on the line to Glenelg.<\/p>\n

Now the reason I\u2019ve gone on about Mike\u2019s rich and varied creative career is that the book we are here for today, Invisible Mending<\/em>, draws the many threads of his past work together. Invisible Mending<\/em> is more than a poetry collection; it contains essays, creative non-fiction, personal vignettes and photographs. While on the surface this seems incredibly diverse it is a remarkably coherent mediation on themes of human impact on the natural world and how to mend the rents that grief, loss and change tear in our lives.<\/p>\n

The book weaves together poetry and prose pieces, picking up and elaborating on themes that Mike has explored in past work; displacement and marginalization from Picture\u2019s Edge<\/em>, family and suburbia from Close to Home<\/em>, and politics and social injustice in Rooms and Sequences<\/em>. However, the themes of his most recent works clearly still preoccupy him. Transit<\/em> explored the compounding effect of momentous life events in the construction of identity and healing after loss is a thread that weaves its way through Invisible Mending<\/em>. Mike also continues to draw on his deep cultural and ecological understanding of Adelaide that was so beautifully expressed in Karrawirra Parri.<\/em> Environmental devastation, particularly human impact on our natural world is another of Mike\u2019s ongoing preoccupations. With these themes in mind we can see his choice of title is perfect. It is taken from a line in the final piece, \u201cA Country Wedding\u201d, where Mike notices the landscape healing itself after the devastation wrought by flood. This book is an intensely personal account healing after wreckage \u2013 both ecological and emotional.<\/p>\n

To me, one of the most significant aspects of this book is that all these pieces are non-fiction. Mike is a documentarian and this book showcases his skill at observing subjects from different angles and digging at the surface until what lies beneath is revealed. The piece that best illustrates this is \u201cTraffik\u201d \u2013 a story set in Malaysia and Japan that resembles short fiction but is in fact drawn from real events. Mike produced this work of creative non-fiction from television and newspaper reports while he and Cath were in Malaysia and faced with the unavoidable evidence of deforestation and species loss as a result of the palm oil industry. But even so, the documentarian sees that not everything is black and white. At the heart of this piece is the understanding that emotional bonds can exist between species, and that as humans we do things, often inexcusable things for love and connection. While the ends don\u2019t justify the means, those ends can be understandable, even beautiful. It is not easy, being human. Mike as documentarian observes and reports but does so with empathy and it is his ability to interweave reportage with compassion that makes this book both compelling and insightful.<\/p>\n

\"Guests<\/p>\n

I\u2019d like to read you one of my favourite poems from the book now \u2013 \u201cTravelling the Golden Highway, thinking of global warming\u201d.<\/p>\n

I read this to you not only an example of Mike\u2019s brilliance as a poet, showing his mastery of minimalist style and his potent combination of natural and industrial imagery to powerful political effect. But to me this poem demonstrates how Mike, with so few words can embed us in an experience with him. We are there, both crammed into the backseat and crammed inside his head in that moment, thinking about the landscape and climate change. Again, Mike the documentarian is working with Mike the poet to translate his sensory experience of the world into such effective imagery that the reader is given an almost visceral understanding of being Mike Ladd at that point in time. It is this ability to transport us that also makes him a brilliant radio documentarian \u2013 in a\u00a0world where sight is the prime sense he delivers stories that engage the mind by stimulating the minor senses, giving us access to experiences and situations that inspire and fascinate us, allow us to perceive the world differently, peel back layers and feel our way to understanding what lies behind the things we see.<\/p>\n

There is so much to say and this book is so diverse yet so coherent I\u2019m really struggling to make this concise so I\u2019m just going to pick out one more thread from this book \u2013 a thread that runs through the whole collection \u2013 that of grief over the rents and losses that accrue throughout life and the ongoing work of mending to make oneself whole again. While the book moves geographically from Adelaide across Australian highways to the east coast then on to Malaysia, Sydney, South America, Spain and back to Australia the themes of family and loss travel with us \u2013 reinforcing that the things make us and break us in life are inescapable \u2013 love and grief.<\/p>\n

Mike introduces us to his father and the heartbreaking progress of his dementia in the book\u2019s first section, which is grounded in Adelaide and family. We are in Malaysia with Mike as he is researching the Malaysian roots of the pantun form when he hears of the death of his father. Like the Malaysian journey, the essay on the pantun veers into the personal as grief overwhelms all else. \u201cThe Book of Hours at Rimbun Dahan\u201d is one of the most moving pieces on grief I have read. Please read it. Then look up the award-winning video poem Eye of the Day on YouTube. It is a gorgeous combination of a selection of tunggal pantun<\/em>, sound and film and an immersive illustration of the experience grief, regret and distance.<\/p>\n

I\u2019m going to read for you now Winter Light.<\/p>\n

\"Book
\nThis book illuminates a writer\u2019s commitment to the mending of grief, the work to close distances that gradually widen in families, the reclamation of lost histories, and the healing of land after centuries of abuse. We look at Mike and see the laid-back, generous, thoughtful man we think we know. But like all of us, this is just the coherent skin we show the world. Turn us inside out and you see all the darning, all the messy stitching holding us all together. And, to me, that\u2019s what this book represents \u2013 these poems and stories, insights and observations \u2013 these words are all the stitches that hold Mike together. Turn him right side out and it\u2019s Invisible Mending.<\/em><\/p>\n

Congratulations Mike. It is truly brilliant work and I am honoured to declare Invisible Mending officially launched!<\/p>\n

Rachael Mead<\/p>\n","protected":false},"excerpt":{"rendered":"

On April 17 we were excited to host the launch of Mike Ladd’s new collection\u00a0Invisible Mending\u00a0right here at Wakefield Press. Rachael Mead had the honour of launching Mike’s book. We recently hosted an exhibition of Rachael’s photography alongside the launch … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[261,225,80,77,315],"tags":[40,370,369,367,46,368],"class_list":["post-1300","post","type-post","status-publish","format-standard","hentry","category-author-update","category-events","category-for-fun","category-launches","category-poetry-2","tag-book-launch","tag-essays","tag-invisible-mending","tag-mike-ladd","tag-poetry","tag-rachael-mead"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4v1Of-kY","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/posts\/1300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/comments?post=1300"}],"version-history":[{"count":7,"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/posts\/1300\/revisions"}],"predecessor-version":[{"id":1315,"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/posts\/1300\/revisions\/1315"}],"wp:attachment":[{"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/media?parent=1300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/categories?post=1300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/tags?post=1300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}