{"id":3708,"date":"2020-07-07T12:29:11","date_gmt":"2020-07-07T01:59:11","guid":{"rendered":"https:\/\/www.wakefieldpress.com.au\/blog\/?p=3708"},"modified":"2020-07-07T12:29:11","modified_gmt":"2020-07-07T01:59:11","slug":"behind-book-anne-black-george-isaacs","status":"publish","type":"post","link":"https:\/\/www.wakefieldpress.com.au\/blog\/2020\/07\/behind-book-anne-black-george-isaacs\/","title":{"rendered":"BEHIND THE BOOK: Anne Black on George Isaacs"},"content":{"rendered":"<h1><a href=\"https:\/\/www.wakefieldpress.com.au\/blog\/?p=3708&amp;preview=true\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3711\" data-permalink=\"https:\/\/www.wakefieldpress.com.au\/blog\/2020\/07\/behind-book-anne-black-george-isaacs\/behind-the-books\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/Behind-the-Books.png?fit=2240%2C1260&amp;ssl=1\" data-orig-size=\"2240,1260\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Behind the Books\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/Behind-the-Books.png?fit=584%2C329&amp;ssl=1\" class=\"alignright wp-image-3711 size-full\" src=\"https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/Behind-the-Books.png?resize=584%2C329&#038;ssl=1\" alt=\"Anne Black, George Isaacs and Pendragon\" width=\"584\" height=\"329\" srcset=\"https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/Behind-the-Books.png?w=2240&amp;ssl=1 2240w, https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/Behind-the-Books.png?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/Behind-the-Books.png?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/Behind-the-Books.png?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/Behind-the-Books.png?resize=500%2C281&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/Behind-the-Books.png?w=1168&amp;ssl=1 1168w, https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/Behind-the-Books.png?w=1752&amp;ssl=1 1752w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/a><\/h1>\n<h1>In a new series on the Wakefield Press blog, we&#8217;ve asked authors to write about the background, inspiration, research and work that goes into writing a book.<\/h1>\n<p>This week features Anne Black, author of\u00a0<em><a href=\"https:\/\/www.wakefieldpress.com.au\/product.php?productid=1590&amp;cat=0&amp;page=&amp;featured=Y\">Pendragon: The life of George Isaacs, Colonial wordsmith<\/a>.<\/em>\u00a0Anne writes about her first encounter with little-known literary icon George Isaacs, and the death certificate that sparked an obsession and a biography.<\/p>\n<p><!--more--><\/p>\n<h1><strong>Penning<em> Pendragon<\/em>, or, the evolution of a biography<\/strong><\/h1>\n<p><em>Pendragon<\/em> is extreme family history. I confess my obsession. Sadly, I know little of my <a href=\"https:\/\/www.wakefieldpress.com.au\/product.php?productid=1590&amp;cat=0&amp;page=&amp;featured=Y\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3714\" data-permalink=\"https:\/\/www.wakefieldpress.com.au\/blog\/2020\/07\/behind-book-anne-black-george-isaacs\/pendragon-cover-ce-indd\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/pendragon-3-50-15-6.jpg?fit=461%2C691&amp;ssl=1\" data-orig-size=\"461,691\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Pendragon cover CE.indd&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Pendragon cover CE.indd\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/pendragon-3-50-15-6.jpg?fit=461%2C691&amp;ssl=1\" class=\"alignright size-medium wp-image-3714\" src=\"https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/pendragon-3-50-15-6.jpg?resize=200%2C300&#038;ssl=1\" alt=\"Pendragon, Anne Black\" width=\"200\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/pendragon-3-50-15-6.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/pendragon-3-50-15-6.jpg?w=461&amp;ssl=1 461w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>husband\u2019s other thirty-one great-great-great grandparents as my interest lies exclusively in the intriguing George Isaacs. From the moment I spied the words \u2018literary correspondent\u2019 on his 1876 death certificate I was smitten. And then, as the writer Samuel Lover wrote, \u2018when once the itch of literature comes over a man\u2019 \u2013 or woman in this case \u2013 \u2018nothing can cure it but the scratching of a pen\u2019.<\/p>\n<p>Initially I had no plans to write a biography of Isaacs, I just enjoyed the research. As I came across each new tidbit of information about him I added it to a chronological essay. By the time that document reached 40,000 words I required a mentor!\u00a0Soon, I found myself a postgrad student in the supportive Department of English and Creative Writing at the University of Adelaide. I was so fortunate to have wise Dr Phil Butterss (winner of the 2015 National Biography Award for his excellent book on C.J. Dennis) as my supervisor. A PhD followed. I loved every minute.<\/p>\n<h1><strong>Why George Isaacs? <\/strong><\/h1>\n<p>Isaacs\u2019 distinctive alias \u2018A. Pendragon\u2019 does not prick the modern Australian consciousness, and he is not listed in the Australian Dictionary of Biography. But he deserves a biography.<\/p>\n<ul>\n<li>He is the author of South Australia\u2019s first published novel <em>The Queen of the South<\/em>, based on his observations of the Victorian gold fields.<\/li>\n<li>He has a terrific pseudonym. Isaacs was a compulsive \u2018pen dragon\u2019 of poetry, plays, fiction, letters, lectures and newspapers. His idiosyncratic writing, however, offers few clues to his rather sad personal life. Strangely, he never composed his own biography. The mythological sense of Pendragon (as in Uther Pendragon, the father of King Arthur) is apt too, because Isaacs was fascinated by the past. He was swept up in the Victorian mania for collections and amassed a hoard of medieval antiques.<\/li>\n<li>He wrote the odd <em>Burlesque of<\/em> <em>Frankenstein<\/em>, now recognised as Australia\u2019s first science fiction.<\/li>\n<li>Isaacs\u00a0was directly responsible for the composition of the iconic \u2018Song of Australia\u2019 (which I sang in primary school in Melbourne.)<\/li>\n<li>He was a co-founder of the Humbug Society.<\/li>\n<li>How could I resist the <em>Register<\/em>\u2019s savage obituary that damned him as \u2018a thorough Bohemian\u2019? It suggested many improprieties!<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.wakefieldpress.com.au\/product.php?productid=1590&amp;cat=0&amp;page=&amp;featured=Y\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3715\" data-permalink=\"https:\/\/www.wakefieldpress.com.au\/blog\/2020\/07\/behind-book-anne-black-george-isaacs\/pict0247\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/PICT0247.jpg?fit=1704%2C2304&amp;ssl=1\" data-orig-size=\"1704,2304\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.7&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Konica Digital Camera KD-400Z&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1051473655&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;8&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.0011&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"PICT0247\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/PICT0247.jpg?fit=584%2C790&amp;ssl=1\" class=\"alignleft size-medium wp-image-3715\" src=\"https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/PICT0247.jpg?resize=222%2C300&#038;ssl=1\" alt=\"Anne Black in Paris. Isaacs lived nearby.\" width=\"222\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/PICT0247.jpg?resize=222%2C300&amp;ssl=1 222w, https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/PICT0247.jpg?resize=768%2C1038&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/PICT0247.jpg?resize=757%2C1024&amp;ssl=1 757w, https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/PICT0247.jpg?w=1704&amp;ssl=1 1704w, https:\/\/i0.wp.com\/www.wakefieldpress.com.au\/blog\/wp-content\/uploads\/2020\/07\/PICT0247.jpg?w=1168&amp;ssl=1 1168w\" sizes=\"auto, (max-width: 222px) 100vw, 222px\" \/><\/a>In fact, Isaacs\u2019 adventures were so diverse that I sometimes feared that I was following the trails of several gentlemen named \u2018George Isaacs\u2019. Was the Isaacs thrice imprisoned for insolvency the same man who then advertised himself as an \u2018accountant\u2019? Was the rich young Englishman also the impoverished shopkeeper in Adelaide? And was the Jewish gentleman with the large family in Melbourne the same Isaacs who married a young woman in an Anglican church in Adelaide \u2013 and gave his status as \u2018bachelor\u2019?<\/p>\n<h1><strong>Where did the information come from?<\/strong><\/h1>\n<p>The short answer is, from many different sources.<\/p>\n<ul>\n<li>Isaacs&#8217; own writing, with its emphasis on autobiographical details, is a mirror to his thoughts. He directly experienced the great historical themes of revolution, immigration and gold rush, and his published words reflect those turbulent times.<\/li>\n<li>My research magnified my gratitude to those vast repositories that quietly preserve our history and culture. I viewed Isaacs\u2019 father\u2019s business card in the Bodleian Library, and the sole remaining parts of the <em>Queen<\/em> in the British Library. The National Maritime Museum in Greenwich has a painting of the ex-convict ship that brought Isaacs to Australia, and the University of Toronto has the only copy of his song <em>The Myrtle<\/em>. The National Archives in Kew has the legal document that confirms his birthdate, and the\u00a0Ashmolean Museum in Oxford has one of his brooches. The most important remnant is Isaacs\u2019 scrapbook in the State Library of South Australia. Thank goodness I live in the age of email, digitised books and online catalogues. The wonderful <em>Trove<\/em> (so aptly named!) of Australian digitised newspapers filled out his life. Thanks again, National Library of Australia!<\/li>\n<li>Experts, including an archaeologist, art historian, entomologist, jewellery expert, Jewish archivist, linguist and even an eminent numismatist were extremely generous with their knowledge. Isaacs\u2019 descendants also responded to my inquiries with enthusiasm.<\/li>\n<li>To place Isaacs\u2019 life in its geographical and historical context, I happily indulged in biographical tourism, partially funded by the Fred Johns Scholarship for Biography. I have examined Isaacs\u2019 medieval rings in a back room of the British Museum, and seen his ancestors\u2019 graves at the Balls Pond Burial Ground. Visits to the streets where he strolled in London and Paris, the homes he inhabited, the dock from which he departed England, and his beloved towns in southern France, have helped me gain an impression of the man. I have strolled the promenade at Nice, \u201cby the blue and tideless sea\u201d that inspired Isaacs\u2019 poetry, and climbed the stairs of the small museum in Montpellier where, as a young man, he attended an archaeological meeting. I have toured the Victorian gold fields and searched in vain for his trace. Isaacs\u2019 presence is strongest in South Australia. Old pubs in Gawler, the Adelaide hotel where he died, the Queen\u2019s Theatre where one of his plays was performed, even the Destitute Asylum, all evoked his diminutive, bespectacled ghost.<\/li>\n<\/ul>\n<p>So, <em>Pendragon<\/em> is not really a family history. It is the meticulously researched account of one man\u2019s life. My biography is not a hagiography (one of the two more interesting words acquired during my studies \u2013 the other is \u2018dinkus\u2019) but the true story of an overlooked, unconventional colonial immigrant. Now, the wonderful people at Wakefield Press have ensured that George Isaacs\u2019 remarkable \u2018riches to rags\u2019 tale is available to a wider audience.<\/p>\n<h1><strong>About the author:<\/strong><\/h1>\n<p>Anne Black\u00a0received the Dean&#8217;s Commendation at the University of Adelaide for her PhD thesis on George Isaacs.\u00a0<a href=\"https:\/\/www.wakefieldpress.com.au\/product.php?productid=1590&amp;cat=0&amp;page=&amp;featured=Y\"><em>Pendragon<\/em><\/a>, based on her studies, is her first biography.<\/p>\n<h1><\/h1>\n<p>Support Wakefield Press by buying our beautiful books!\u00a0\u00a0<strong>Visit our\u00a0<a href=\"http:\/\/www.wakefieldpress.com.au\/\">website<\/a>\u00a0or contact us on 08 8352 4455 for more information, or to purchase a book (or three!).\u00a0<\/strong><strong>We can post your purchase to your doorstep!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In a new series on the Wakefield Press blog, we&#8217;ve asked authors to write about the background, inspiration, research and work that goes into writing a book. This week features Anne Black, author of\u00a0Pendragon: The life of George Isaacs, Colonial &hellip; <a href=\"https:\/\/www.wakefieldpress.com.au\/blog\/2020\/07\/behind-book-anne-black-george-isaacs\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[553,868,907,80,5,757,331,8],"tags":[377,871,908,884,16],"class_list":["post-3708","post","type-post","status-publish","format-standard","hentry","category-adelaide","category-author-feature","category-behind-the-books","category-for-fun","category-wordpress-defaults","category-history","category-reading","category-we-love-books","tag-adelaide","tag-author-feature","tag-behind-the-books","tag-buy-books","tag-history"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4v1Of-XO","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/posts\/3708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/comments?post=3708"}],"version-history":[{"count":1,"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/posts\/3708\/revisions"}],"predecessor-version":[{"id":3716,"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/posts\/3708\/revisions\/3716"}],"wp:attachment":[{"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/media?parent=3708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/categories?post=3708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.wakefieldpress.com.au\/blog\/wp-json\/wp\/v2\/tags?post=3708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}