The art of Nicholas Folland

Over the last two weeks we’ve been sharing summaries of and extracts from some Wakefield Press gems, in blog posts put together by work experience student Maddy. (And yes, we briefly had two Maddys in the office! Never enough Maddys, we say.) This is the last post of the series.

 

Cover of Nicholas Folland by Lisa Slade

 

Nicholas Folland follows the life and work of the well-known artist. This book displays Folland’s passion for jewels and other miscellaneous translucent glassware, and how artfully he works an ambience into a piece. Stunning to look at, this book allows one to explore their taste in polished crystal and how they could work it into the atmosphere.

Folland’s talent for transforming attractive objects into even more glamorous artworks transcends all expectations and leaves you breathless. Repurposing once-useless crystalware into pieces of history and identity which speak to the audience, Folland’s journey is set throughout the pages in an essay format, easy to pore over and digest.

 

Found crystal vases, LED lights, by Nicholas Folland

Untitled (10-14) (2013)

 

Found crystal vases, LED lights, by Nicholas Folland

Untitled (1-6) (2013)

 

Taxidermy deer, chandelier, by Nicholas Folland

Dear (2013)

 

Chandelier, refrigeration unit, 12W lighting, by Nicholas Folland

The Door Was Open … (2005)

 

Crystal and glassware, table, lightbox, cinefoil, by Nicholas Folland

Goodnight Sweetheart (2011)

 

Under construction, by Nicholas Folland

Fides (2012)

 

Crystal decanters, polyester resin, timber, aluminium, lightbox, by Nicholas Folland

Untitled (boat 5) (2008)

 

Cast crystal, timber, lightbox, by Nicholas Folland

Reclining Nude (2011)

 

Mixed media installation, by Nicholas Folland

Raft 2 (detail) (2009)

 

About the author

Lisa Slade spent her childhood in Hunter Valley, New South Whales, before moving to Newcastle to be a university lecturer. Relocating to Adelaide, Slade spent her time being Project Curator at the Art Gallery of South Australia, additionally curating exhibits whilst lecturing in art history between The University of Adelaide and The Art Gallery of South Australia. Slade has written many books before, a self proclaimed expert on art and writing, she skillfully weaves between words and pictures in a balance to let readers fully understand Folland’s art.

 

This book is available at our bookshop on 16 Rose Street, Mile End, or online.

We hope you’ve enjoyed this series by Maddy, and happy browsing!

Baudin’s Voyagers and The Art of Science

Over two weeks we’re sharing summaries of and extracts from some Wakefield Press gems, in blog posts put together by work experience student Maddy. (And yes, we briefly had two Maddys in the office! Never enough Maddys, we say.)

 

Cover of The Art of Science by Jean Fornasiero, Lindl Lawton and John West-Sooby

 

The Art of Science tells of the rich history around Nicholas Baudin’s Voyagers from 1800 to 1804. Flip through the pages and join explorers as they discover and chart Australia. Beautiful scientific drawings illustrate exquisite flora and fauna, as Baudin’s voyagers collected over 100,000 specimens.

One of the most lavishly equipped scientific explorations to ever leave Europe, Baudin’s expedition uncovered the beauty in the Australian outback.

 

View of our anchorage in North West Bay, D’Entrecasteaux Channel, 29 Nivose, Year 10 (19 January 1802) Archives nationales de France, série Marine – 5JJ51

View of Anchorage in North West Bay

 

From The Art of Science

Red-necked pademelon by Charles-Alexandre Lesueur

 

From The Art of Science by Jean Fornasiero, Lindl Lawton and John West-Sooby

Grey Stinkwood from a drawing by Pierre-Joseph Redouté

 

From The Art of Science by Jean Fornasiero, Lindl Lawton and John West-Sooby

Aracana sp. (? ornata) by Charles-Alexandre Lesueur

About the authors

Jean Fornasiero is Emeritus Professor of French Studies at the University of Adelaide and a Fellow of the Australian Academy of the Humanities. Lindl Lawton is Senior Curator at the South Australian Maritime Museum. John West-Sooby is Professor of French Studies at the University of Adelaide.

About the book

This book was published to coincide with the touring exhibition The Art of Science: Baudin’s Voyagers 1800–1804. This exhibition showcases more than 350 works from the Lesueur Collection held by the Museum of Natural History in Le Havre, Normandy, France. The exhibition has toured nationally, visiting Adelaide, Launceston, Hobart, Sydney and Canberra, before finishing up in Perth. It opened at the Western Australian Museum in September and runs until 9 December 2018. See more here.

The book is available at our bookshop on 16 Rose Street, Mile End or online.

Click here to view an extract.

Happy browsing.

Discovering William Dobell with Christopher Heathcote

Over the next two weeks we’ll be sharing summaries of and extracts from some Wakefield Press gems, put together by work experience student Maddy. (And yes, we briefly had two Maddys in the office! Never enough Maddys, we say.)

 

Discovering Dobell by Christopher Heathcote

 

Discovering Dobell delves into the riveting, yet humble, narrative of an aspiring artist hailing from New South Wales. Sir William Dobell challenges mediums and pushes the boundaries of his works, captured beautifully in this inspiring text. Although Dobell’s pieces reflect a theme of tragedy and loss, Heathcote is able to draw out the beauty and truly capture the essence of his works. Dobell has the unique ability to adapt his technique when creating the character in subject, seizing the crux of said subject and letting it flourish into his art. This talent allows viewers to really see the emotion and meaning behind his works.
From concepts and sketches to fully developed pieces poured over for months or years, Dobell pursued art until the end of his life. He thrived every second of it.

 

Oil on hardboard, William Dobell

Abstract – Three figures (1960, detail)

 

About the author/book:

Heathcote’s passionate analysis into the world of Sir WIlliam Dobell provides fresh insight to Dobell’s pieces. His exploration of Dobell, among others, prove that he is willing to go in depth to prove to others the gripping true tales of what it takes to become someone. Heathcote’s distinct talent for weaving together a stunning narrative from scraps of knowledge show time and time again that cinderella stories can spring from anywhere.

 

Oil on hardboard, William Dobell

The Torrent (1952)

 

This book is available at our bookshop at 16 Rose Street Mile End or online here.

Happy browsing.