We’re pleased to announce the joint winners of the July WWWC: Valerie Volk and Mike Ladd! This is the first time we’ve announced a joint winner for the WWWC. It’s also the first time that poetry entries have taken out the top prize.
Read Valerie’s winning poem, ‘Moonrise’, and Mike’s winning poem (and accompanying prose), ‘Glimmer of Light’, below.
Environmentally responsible? For Elizabeth Hutchins, it’s a matter of cats. In this guest post, Elizabeth discusses conservation, the ‘cat problem’, and her recently republished children’s novel, A Matter of Cats.
Elizabeth’s dilemma, being a cat lover while appreciating the damage cats do to wildlife, was the catalyst for this novel.
We’re pleased to announce the winner of the June WWWC: Maureen Alsop! Maureen’s response to the prompt ‘heroes and villains’ is an experimental and abstract tale of love, loss and grief.
Read Maureen’s winning entry, ‘Heroes and Villains’, below.
This week’s spotlight once again shines on Peter Bakowski and Ken Bolton’s tandem collection Nearly Lunch, this time highlighting the poem ‘Selling Yourself’.
‘A spectrum of individuals, from the naive to the kind, caustic to the stoic, to those who suggest other ways of being – either hopeful, philosophical, grateful or resigned – pleased, though, all of them, that it’s NEARLY LUNCH.’ – Cover blurb
Author Stephen Orr is a prolific writer, spinning yarns with an unmistakably nostalgic Australian flavour, and this guest piece is no different. In ‘The Land of the Giants’ Stephen reflects on his childhood as a small, weedy boy in a world full of monsters and bullies.
We are thrilled to share this story, and even more thrilled to be publishing a collection of short stories by Stephen later this year. The titular story from the collection, ‘The Boy in Time’, shares its name with the recently announced winner of the 2021 Patricia Hackett Prize (Stephen loves to recycle!), awarded by Westerly magazine. Find that story here.
Stephen has also recently had another experimental short story published in the Saturday Paper. ‘A perfect day for bream’ is a mind-bending piece, blending together two very different stories. Find it here.
The History Council of South Australia Wakefield Press Essay Prize is awarded to the author of an essay that deals substantially with some aspect of South Australian history. This year’s prize was awarded to Stephen Valambras Graham of UniSA for ‘Open Doors: The Art of Charity in the Promised Land’.
The judges say that ‘this essay is an intriguing re-examination of well-known images that challenges our traditional understandings of them, and our State’s past’.
We are thrilled to be able to republish Stephen’s essay here on the Wakefield Press blog. This essay was originally published in the journal of the Historical Society of South Australia in 2021 (vol. 49).
Working in the Wakefield bookstore, with hundreds of books laid out before me, I am often in the position to judge the books by their covers, searching for the most interesting looking ones to flick through and sometimes (often) buy. The cover image (shown above) was why I picked this particular book off the shelf, and I was surprised to find that Wakefield’s own Jonny Inverarity had designed it!
In this week’s poetry spotlight, I’ve chosen to feature ‘Farewell to a Colleague’ by Julian Zytnik.
Following this week’s announcement that Jelena Dinić has won the Mary Gilmore Award, it seems fitting we resume our Poetry Spotlight series by focusing on her startling debut collection.
In a special three-part guest series on the blog, John West-Sooby discusses how the book came to be, and the discoveries made along the way. In this third instalment, John examines the specimens collected on the Baudin expedtion.
Read on below.
Banner image: Terre De Diemen: Ile Maria. Tombeaux des Naturels, (detail) by Charles-Alexandre Lesueur
We’re pleased to announce the winner of the May WWWC: Amanda Lee! Amanda’s response to the prompt ‘history repeats’ is a story of discovery, of sorts. In ‘Potch’, a woman travels from Canada to Coober Pedy, trying to make sense of her ageing father’s past. But answers, like the opals the miners search for, are harder to come across than it seems.