‘In this tale arcing from 1845 to the present, in poetry underpinned by meticulous research, we inhabit settler society with all its attendant joys, hardship and grief as we careen with Caroline through her journey of love, loss and horror into madness.’
– Biff Ward, author of In My Mother’s Hands.
Our spotlight shines once again on Ali Whitelock, this time featuring a poem from her first collection published by Wakefield Press, and my heart crumples like a coke can.
‘Ali Whitelock writes a poetry of excoriating tenderness. Whitelock is Bukowski with a Glaswegian accent and a nicer wardrobe.’
– Mark Tredinnick, poet and author of The Blue Plateau, The Little Red Writing Book, Blue Wren Cantos, The Lyre Bird & Other Poems
‘This is an outstanding volume of poetry. It is wonderfully original and deliciously complex. Its intellectual pirouettes and cutbacks are a pleasure to follow, always offering an incredibly agile and aesthetically stimulating journey.’ – Lachlan Brown
This week’s feature poem is by Shaun Berg from his collection Wystan’s Relic, a book that will challenge your thinking and provide new perspectives on important questions.
Earlier in the series, Poppy featured Kate’s poem ‘Frost’ from the same collection. It’s a calming and quiet celebration of the ordinary beauty of nature (read Poppy’s thoughtful post about it here). In a similar vein, this week’s feature poem is an intimate and gentle study of creativity and friendship.
‘In a wild tale arcing from 1845 to the present, in poetry underpinned by meticulous research, we inhabit settler society with all its attendant joys, hardship and grief as we careen with Caroline through her journey of love, loss and horror into madness.’
– Biff Ward, author of In My Mother’s Hands
Invisible Mending ranges across genres including essay, memoir, short story and poetry. Based loosely on the ideas of scarring and healing, Invisible Mending extends from family intimacies to connection and disconnection in the Australian community, environmental damage and repair.
This witty, moving and accessible collection gathers poems from six previous books, beginning with Death as Mr Right, which won second prize in the 1982 Anne Elder Award for best first poetry book in Australia. With irony and frankness, Jeri Kroll workshops the complex relationships that individuals establish over the course of a lifetime with friends and family, as well as with the physical and social environments that shape them. In particular, she tackles the significance of parenthood, gender and ageing.
