Fables Queer and Familiar launch …

What’s hilariously funny and poignantly tender, written by an award-winning Wakefieldian, and about to be a big Christmas seller?

<em>Memoirs of Mixed Fortunes<em> launch

This guy! Launching as part of Feast Festival next Tuesday, with music by Triptick and wines by our very favourite sponsors, Fox Creek, Fables Queer and Familiar is one of our big (little) books for this summer. Written by the always-wonderful Margaret Merrilees, who’s been shortlisted left, right and centre for The First Week, and adapted from her online serial Adelaide Days (which has already got an enormous following), Fables is pitch-perfect. Read more here (and put your name down to grab a copy when they come in!), and we’ll see you all on Tuesday!

Here’s to a lovely Book Market weekend

And what a weekend it was.

People everywhere, delicious sausages (have I mentioned how much I like sausage sizzles?), bargains galore, author signings and readings – but the best part was all the people who came out to celebrate with us.

We feel like we’ve met a little more of the neighbourhood now – and like we’ve been welcomed with open arms. Thanks so much, guys. It’s so lovely getting to know you all. And for all our old friends who made the trek across town: thanks so much for coming, because it was bloody lovely to see you all too!

And for those of you who were with us when the heavens opened on Saturday afternoon – wasn’t it spectacular?! We made a mad dash to get all books, people and sausages inside. I am very relieved to say that not a single sausage was ruined by rain. The books and people seemed to come out of it okay, too.

Welcome!

Come one, come all!

Book Market customers

Looking for the perfect book for mums/dads/siblings/niblings (now isn’t that a great word?)

Our fearless leader on sales duty

Our fearless leader on sales duty.

Book Market author schedule

A big thanks to all the Wakefield authors who came along – we’re all WP family. And the readings were fantastic!

Book Market sausage sizzle

Clinton and Neil, sausage sizzlers extraordinaires. These guys kept me well fed for the duration.

Thanks so much for coming out, y’all! Here’s to Book Market 2015!

Links! Book Market! AUTHORS!

Okay kids, it’s time for some links and some fun.

First up, we have 10 Words Every Writer Needs to Know, including the very awesome scripturient, to describe someone with a passion for writing. I’m going to be including all of these in emails to our authors from now on!

Secondly, we have a collection of images showing writers with their typewriters. From the very beautiful Sylvia Plath doing a spot of typing outside in the sun, to Nabokov dictating to his wife Vera, all of these are very cool – and offer a little glimpse into the writing habits of some of the greats.

Thirdly, do you know how to use the term Orwellian? The Guardian (who else?) is here to help, with a long discussion of the use and misuse of the word. Conclusion? It would appear that pretty much everything is Orwellian.

Now, we’ve got the book market this weekend, with 3 books for the price of 2, the sausage sizzle, author signings, and the perfect opportunity to snoop around our (lovely) new office. You’re all coming, right? And then we can wander down to the Wheaty for a beer after!

Oh, and you guys are probably wondering which authors are coming along. Numbers aren’t final yet, but so far we’ve got:
On Saturday Paul Heywood-Smith, Mike Lucas, Cameron Raynes, Miriel Lenore, Barbara Santich, Alex Frayne, Mary Lou Simpson, Ray Tyndale, Diana Chessell, Stephanie RadokValerie Volk and Peter Monteath.
And on Sunday Margaret Merrilees, Wilf PrestMeg HaleLydia Laube, Patricia Sumerling, John Raftery, Janet Raftery, Mike Ladd and Ashley Mallett.

Phew! Let’s Billie Holiday this week into gear:

Another accolade for The First Week

<em>The First Week<em> launchMargaret Merrilees can add another feather to her cap*. Her debut novel The First Week has been shortlisted for the Barbara Jefferis Award, a very cool award that celebrates work that depicts ‘women and girls in a positive way or otherwise empowers the status of women and girls in society’.

Read an extract of The First Week here or skip that and buy a copy here.You can read more about the award here and see the full (and awesome) shortlist here.

One of the judges, Dorothy Johnston, has written about the judging process here, and pointed out that:

Another interesting point to note is that, out of seven shortlisted titles, four were published by small (or small to medium-sized) publishers, although by far the greatest number of entries were submitted by the ‘big names’ – Penguin, Random House, Allen & Unwin and so on.

Tiny but mighty, over here. And we couldn’t be prouder.

*Is that the right saying? What does it even mean?

Wednesday links!

Too many things to share with you all!

First of all, look at this beautiful book:

<em>Every Time You Close Your Eyes<em>

 

 

 

 

 

 

 

 

 

 

 

 

The latest from the incredibly talented Bel Schenk, Every Time You Close Your Eyes is set during a power outage in New York in the seventies. It’s an amazing one-sit read. Buy here!

Secondly, are creative courses killing Western literature? Horace Engdahl seems to be making the case that grants are softening our authors up too much. What do you guys think?

Thirdly, the gorgeously dorky kids at Porter Square Books in the US have put together a list of 12 awkward bookseller moments. Yes. I know what they’re talking about. For all of them.

AND the always awesome Junkee crew have put together a list of eight places to go in Adelaide to soak up our arts scene. Good start, kids, but there are so many more! What about Dark Horsey Bookshop? The Jam Factory? Mercury Cinema? Those are all within ten metres of each other! The Mill, E for Ethel, Hillbilly Hoot, and – oh, I don’t know – the whole damn city during any of our numerous festivals.

Hot damn, Adelaide. You do good for a little guy!

Last, but certainly not least, we have some Edwyn Collins, courtesy of editor/typesetter/designer extraordinaire Michael Deves. Anyone remember the scene from Empire Records? That movie turns 20 next year.

And, just like that, I’m old.

Happy Wednesday!

Launches! Lebanese pizza!

Okay okay okay. Deep breaths. We got some good ones on their way!

First things first: we’ve got two very different and very exciting books coming out within a day of each other.

Memoirs of Mixed Fortunes is a memoir from the (self-styled) first native-born South Australian, Samuel Joseph Stuckey. Including recollections of his brush with the Burke and Wills group, his time in Pakistan getting camels for use in the north, and the shooting death of Aboriginal man Pompey, it’s a fascinating read, supported by original documents supplied by memoir editor and his great-granddaughter, Mary Louise Simpson.

<em>Memoirs of Mixed Fortunes<em> launch

The following night, for something completely different, will be the launch of The Case for Palestine by Paul Heywood-Smith. This book presents the history and issues of the Arab-Israeli conflict from the point of view of an Australian observer who has been deeply involved since 1973. A founding member of the Australian Friends of Palestine Association (AFOPA), Paul Heywood-Smith argues that it is the responsibility of all adult and thinking members of the world community to inform themselves of the background to the conflict and the current issues associated with its resolution.

<em>The Case for Palestine<em> launch

Now, there’s one other thing. Have you guys ever been to this place? It’s just around the corner from our new premises, it’s amazingly delicious, and amazingly cheap!

If you can’t tell, we’re feeling a lot of gratitude for good books and good pizza over here today …

Wakefield Press has MOVED HOME

Sorry about the absence without leave, guys, but we’ve been pretty darn busy over here —

As some of you will be aware by now, Wakefield Press has moved!

Rose St flags

Through the doorway there you can see our epically cool new conference room (cheers Liz!)

We were the cool kids on the block in Kent Town for twenty-five years, and it’s an area that we will always love dearly.

Sometimes, though, it’s time for a change. A new place. More storage space. A shake-up, if you will.

And we’d been admiring the energy of the west side of town for so long …

So, update your rolodexes! Tell your friends! Recommend some boutique beers from the Wheaty!

Empty office

Check out all this natural light, guys!

Our new address is 16 Rose St, Mile End, and you can give us a call on (08) 8352 4455.

Bookshop is now open and – as always – we’d love to see your smiling faces.


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Wednesday links

So, at this point, I’m pretty sure it will never get warm and we’re going to live in an endless winter and eventually die of sunlight deprivation with most of our extremities missing.
Sometimes my ears get cold on the ride into work, you know? It’s getting pretty dire.
(Also, possibly besides the point, but how do you ride without using your hands? I keep on trying and end up swerving wildly into oncoming traffic.)

If I manage to survive the week – we won’t look forward to the end of the month, that would be ridiculous – I will definitely make use of this fantastic article that Simon found for us. Big red barn or red big barn? We know instinctively which one sounds better, but WHY??!

Oh, I do love ogling a good selection of well-designed book covers. Go.

And last but not least, the dumbest sign ever. It gives you something to think about in this world of signifiers and simulacra.

Also, Genesis. Because: Genesis.

 

 

 

7 steps of publishing

One of the things that constantly surprises in this industry, is how little most people actually know about the publishing process. While we’d all like to pretend that the book is written, a wand is waved and then it’s ready to hit the shops, the process is actually a little more laborious than that.

So here, in the time-honoured tradition of digestible seven-point guides, is Wakefield Press’s seven steps of publishing:

1. Write the book

Step one is, of course, deceptively simple. Harness your inner genius, find that moment of divine inspiration, dust off those shoeboxes of notes in the attic, sit impotent in front of a blank screen for days in a row – do whatever it is you’ve got to do! But by the time you come to us, there should be a complete manuscript in your hot little hands. We can’t write it for you (also, surely that would take the fun out of the thing?).

<em>Throes of Creation</em> by Leonid Pasternak

Wait, did we say fun? We meant existential torture.

2. Find the right publisher

Again, a deceptively simple step. It can be hard to know what publisher would be right for you, so a good rule of thumb is to check who published any of the books that are similar to yours – or any of your favourites of the genre you’re writing in. Most publishers have a website (like this little guy here) where you can check out what they’ve been producing. Judging from Wakefield Press’s website (and a little insider knowledge) I’d say that submitting to WP for SA history, cookbooks or art books would be a good idea. Children’s books, on the other hand, aren’t generally our bag. Spend a bit of time researching for this step!

3. Get signed

Perhaps the hardest of the lot. Was it Fitzgerald who had a wall full of rejection slips? And we all know that Harry Potter didn’t get picked up first go. It’s tough out there! Some people go through a literary agent, others slog it out alone. Either way it’s important to remember to remain polite and well organised. Try your best to follow the guideline submissions, and where something hasn’t been specified, just use your common sense. Turnaround times are typically along the lines of weeks or months, rather than days, so give it a good space of time before you consider calling to follow up. Once the publishers have expressed interest, you’ll have a few discussions to negotiate contracts, for which the Australian Society of Authors have a very nifty contract guide to help you out.

4. Editing

This is where the fun is at! Your work will most probably be structurally and copy edited, meaning that it will be shaped to bring out the best in the structure as well as being checked for typos etc. It’s common to feel protective at this point, but anyone who’s had a good edit will tell you it’s entirely pleasurable. A good editor will bring out the best in your work and make it look like no big deal at all.

Editing

Entirely pleasurable …

5. Typesetting

Everyone’s hung up on the design of a book, and tends to forget about the critical step that takes place before designing: typesetting. The term typesetting is a hangover from the time when every line of type had to literally be set in a press before publication. These days, the term refers to the process of laying out and styling a document so that the text will flow correctly once it has been designed. This means making sure your paragraphs are placed correctly and differentiated from your headings, subheadings, dot points, inset quotes …

Metal movable type

Ah, the good old days, when everything was painfully time-consuming.

6. Design

Have you seen the Chip Kidd TED talk?? He designed the Jurassic Park book! So cool! And book design is a damn cool area. We’ve all heard not to judge books by their covers – but we totally do, and the designers are totally aware of it. At WP, we consult with our authors over cover design, to make sure we come up with a cover that everyone’s happy with. This is how everyone will picture your book for years to come – you wanna get that stuff right!

7. Printing

And now the fun part. So far, it’s just been an idea. But at a certain point, all the word files, all the look-and-feel docs, all the tracked changes and all of the blood, sweat and tears need to become something concrete. The files get sent off and, a few weeks later, a truck backs up to our warehouse with pallets of glorious books. (The smell. The freshness of them. The purity. There’s nothing like a pallet of brand new books.)

At this point, we send the books out to the bookshops and then the punters come rolling in!