The many forms of Christmas

Here’s a wonderful little view of the many forms of Christmas from Margaret Merrilees’s Fables Queer and Familiar, complete with illustrations by Chia Moan. Every little vignette in this novel is equal parts touching and hilarious. Read on and you’ll see what I mean …

Fables Queer and Familiar many forms of Christmas, illus. by Chia Moan

Mr Stretton, Victoria’s Reception teacher, has reached that pinnacle of school life – the end-of-year concert. Traditionally Reception and Year One open the show with a segment based around the manger.

Since his first year of teaching, Mr Stretton has become used to parental contributions. These generally peak at the time of the concert. This year he has done his best to satisfy everyone.

He stands in the wings on one side of the stage and sends the kids across in small groups. They are received on the other side by Year Seven recruits who where hired after running the best background check services on them. Downstage, close enough for Mr Stretton to prompt them, sit three children with a pile of signs to hold up.

The first group crosses the stage banging clap sticks together. KAURNA LAND reads the sign, in wobbly letters. WE RESPECT THE ELDERS AND TRADITIONAL OWNERS.

The audience claps.

The second group is chosen from among the most responsible five-year-olds. Their leader carries a multi-branched Hanukkah menorah. As a result of much discussion, it is unlit. Her companions carry lighted candles in paper cups. Mr Stretton clutches a fire extinguisher, but the children reach the other side without disaster. He wipes his brow.

The third group, in turbans and robes, is announced by two signs. One is a tinsel crescent moon, and the other says MECCA under a large arrow.

The fourth group consists of Mary and Joseph with a swaddled doll and a donkey. TO BETHLEHEM reads the sign. Victoria is the back half of the donkey. Her spirit is bitter. Like everyone else in the class she had passionately wanted to carry a Hanukkah candle.

The audience claps. They like it. So cute, so all-embracing.

But there is more. Fingers crossed, Mr Stretton sends out his fifth group. A donkey, a swaddled doll, but this time, instead of Mary and Joseph, there are two Marys.

The audience is silent, and then there is muted applause, accompanied by some muttering.

At present Mr Stretton is a single man, but he dreams of family, a particular sort of family. He had hoped for a sixth group tonight. Two Josephs with baby. Sadly he tucks his dream away again. The school community is obviously not yet ready.

Marie Symes, who works in the office, slumps in her seat. Mr Stretton has done it again. She can see tomorrow disappearing in a flood of phone calls. They’ll be equally divided, she predicts, between those parents who deplore fire risk and those who deplore gay parenthood.

During the interval Dr Singh approaches Mr Stretton. They have met before. Dr Singh has a little boy starting in Mr Stretton’s class next year.

‘Great work,’ Dr Singh says with enthusiasm. ‘I liked the procession very much.’

‘Thanks.’

‘I did feel that there was a certain Mosaic bias,’ Dr Singh continues. ‘Judaeo-Christian-Islamic. Perhaps next year you could include …’

Mr Stretton squares his shoulders. What is life without a challenge?

To read more or buy the book, click here

Fables Queer and Familiar by Margaret Merrilees

The Ultimate Wakefield Press Christmas Gift Guide

Alright, let’s keep this snappy. You guys need gift ideas, and we’ve got a book for every possible need.* So welcome to the patented Ultimate Wakefield Press Christmas Gift Guide.**

For adventure-packed holiday reading, try the Steve West thrillers, centring around an ex-AFL star geologist with a heart of gold. Start with Prohibited Zone, set around the Woomera Detention Centre, then move on Ecstasy Lake, which is about a literal goldmine in the middle of the desert.

For fiction fans, Cassie Flanagan Willanski’s Here Where We Live has been making waves online and is a big awards contender. Every single reader has loved this short story collection. Or go for our Miles Franklin longlisted bestseller The Hands, by Stephen Orr. This story of a family surviving on a drought-stricken cattle farm is beautiful, heart-breaking, but not without hope.

Prohibited Zone Christmas Gift GuideEcstasy Lake Christmas Gift GuideHere Where We Live Christmas Gift GuideThe Hands Christmas Gift Guide

For art loversThe Art of Science is proving to be a winner over the holiday season. Showcasing the art (and history) of Nicolas Baudin’s expedition to Australia at beginning of the 19th century, these illustrations will make you see familiar animals with entirely new eyes. Or there’s always Dogs in Australian Art. Got a relative who loves dogs or Aussie art? Present: sorted.

For the foodie in your life, and especially the locavores, you have to have a look at Helen Bennetts’s newly released Willunga Almonds, which recounts the history of this humble nut in Australia alongside mouthwatering but easy recipes. Or there’s the CWA’s Calendar of Cakes, which will see you covered for cake recipes throughout 2017.

Art of Science Christmas Gift GuideDogs in Australian Art Christmas GuideWillunga Almonds Christmas Gift GuideCalendar of Cakes Christmas Gift Guide

 

For the biography buff, you can’t go past Red Professor, the biography of Fred Rose. Shortlisted for the Prime Minister’s Awards, and the catalyst of a lot of ‘were they/weren’t they’ conversations about possible Communist Party members in Australia, the press are saying that this one’s set to be a classic. Or pick up a copy of An Unsentimental Bloke, the National Biography Award-winning account of the life of the great writer C.J. Dennis.

For gardeners, Trevor Nottle’s Endless Pleasure is the ultimate compendium of garden collectables, showcasing weird and wonderful types of secateurs, hoes, spades – even tyre swans and man traps. Or get back to basics with Lolo Houbein’s One Magic Square. No one else has managed to make it so easy for so many people to grow their own food.

Red Professor Christmas Gift GuideUnsentimental Bloke Christmas Gift GuideEndless Pleasure Christmas Gift GuideOne Magic Square Christmas Gift GuideThere are so so many more possibilities, and for the actual Ultimate Wakefield Press Gift Guide you should go to our website. Still, if you can’t find what you’re looking for here, send us a line with your beloved’s Christmas gift requirements, and we’ll send you some suggestions.

Just another Christmas service from the Wakefield team!

 

* Not actually every possible need. Just some needs. Or maybe needs that you didn’t realise you had. Look, I’m trying to get at the fact that we don’t have highly specialised books about, say, how to fly helicopters. You should probably get training for that though, really.

** Not actually patented. Ain’t no one got the money for that.

The Only Christmas Cake Recipe You’ll Need

For a reliable Christmas Cake that will please everyone, the South Australian Country Women’s Association have you covered. Actually, they have you covered for any type of cake you could possibly think of (in their Calendar of Cakes) but it’s Christmas so let’s just stick to the Christmas cake for the moment. Plenty of time to try all the rest in the new year!

Good Christmas Cake, Calendar of Cakes

Preparation time: 40 minutes and soaking time

Cooking time: 2.5 hours and half an hour with oven off

Serves: 60

Equipment: 2 x 23 cm round or square cake tins, or 1 large cake (28 cm round) and 2 smaller cakes (1 x 16 cm round and 1 x 13 cm round)

Ingredients

450 g currants
450 g sultanas
450 g raisins
1 tablespoon glacé ginger, chopped
1/2 cup (125 mL) brandy or port
450 g unsalted butter, softened
2 cups packed dark brown sugar
2 teaspoons ground allspice
1 teaspoon ground mace
1 teaspoon ground cinnamon
1 teaspoon ground nutmeg
2 tablespoons golden syrup
9 large free-range eggs, lightly beaten
1 heaped cup plain flour
1 heaped cup self-raising flour
Pinch of salt
1.5 cups blanched almonds, to garnish

Method

Place dried fruit and brandy together in a large non-metallic mixing bowl, stirring to combine. Cover and leave to soak overnight.

Preheat oven to 200°C (180°C fan-forced) and lightly grease 2 x 23 cm cake tins or 28 cm, 16 cm and 13 cm round tins and line with a double thickness of baking paper.

Place softened butter, sugar, allspice, mace, cinnamon, nutmeg and golden syrup together in a large mixing bowl. Using electric beaters, beat the mixture until light and fluffy. Add eggs, one at a time, beating well between each addition.

Gradually add the soaked fruit, flours and salt to the butter mixture, stirring gently with a wooden spoon until well combined.

Spoon mixture into prepared cake tins and smooth the tops. Decorate the cakes with blanched almonds and place tins in preheated oven for 10 minutes, then reduce temperature to 140°C (120°C fan-forced) for 1.5 hours for small cakes, 2.5 hours for 23 cm cakes and 3 hours for 28 cm cake or until a skewer comes out of the centre of each cake clean.

Turn the oven off and leave large cakes to cool in the oven for a further 30 minutes. For the smaller cakes, remove from oven and cover with foil to cool for 30 minutes. Leave cakes to cool in tins. Remove cooled cakes from tins and peel off baking paper. Wrap in clean baking paper and foil, and keep in airtight containers until ready to eat.

Gorgeous cake pic by Jacqui Way

Christmas Requiem from Cracker

If you’re looking for stories that celebrate a whole host of different takes on ChristmasCracker is for you. Julia Archer casts back to a very different kind of Christmas in 1974 in her story ‘Christmas Requiem’.

 

Christmas Requiem

Julia Archer

At two a.m. on Christmas morning the roof tore off with a drawn-out scream of ripping sheet iron. It drowned out the thunder and woke the children. Sick with terror, almost paralysed, Grant and I lifted the little boys from the mattress on the floor, pulled them into our bed and hugged them close.

All day the cyclone had been building, all day we had tuned our whole beings to the radio. All day small preparations—water stored in the bath, spare batteries bought, anything that could become a missile secured. All day we had become familiar with the cyclone siren and I think that all day, underneath jokes and bravado, panic had been rising in tandem with the wind.

In the living room the lights on the tree blinked red and green and yellow and blue among the stars and angels. Beneath the house, in the storeroom, two tricycles waited to be put under the tree when Dan and Josh were asleep.

By dusk the wind was violent, by ten it was spinning the empty Hill’s Hoist like the reel on a fishing rod. The electricity went off. Thunder rolled continuously, louder than any thunder we’d ever heard, and brilliant lightning flickered like a faulty fluorescent light.

The rain beat against the east side of the house, pouring through the louvre windows and flooding the floors. We had to move the sleeping children from their bedroom to ours. We shut pictures and ornaments in wardrobes, went to bed and tried to sleep, confident the cyclone would blow itself out by morning.

The builders’ shed across the road blew away at midnight, or at least we thought that was what screamed and crashed through our garden.

At two a.m. our roof was gone. Grant and I clung to our whimpering children and tried to think what to do while heavy debris thudded against our walls and the wind shrieked. The drums of a hundred symphony orchestras rolled and crashed, like a finale for the story of Darwin. The flimsy house on its long thin stilts rocked and shuddered in the wind as the onslaught of flying objects slowly smashed it to splinters. Then the windows in the children’s bedroom fell in with a crash that jolted us from paralysis to action.

Downstairs, under the house, was the concrete block storeroom. We carried Dan and Josh along the hall, opened the door into the living room, and were confronted by driving rain. Lightning bounced off the plaster ceiling now moulded over the floor and furniture. The outer walls and the kitchen had vanished. The debris of one wall lay over the front steps. Escape that way was cut off.

The house lurched and swayed, bombarded by heavy missiles. This was no longer a storm. It was warfare.

The back door was on the windward side, a steel door in a steel frame. We huddled against it, and Grant turned the handle, pushed against the door and waited long minutes to feel a lull in the wind, or a slight change in its direction. Then he thrust his shoulder hard, launched himself into the storm and was out on the landing with Josh cradled against his body. I followed, but the sturdy four-year-old in my arms howled with terror, grabbed the door frame and struggled. If the wind had gusted at that moment, Dan would have lost a hand …

Somehow we were at the foot of the stairs, lit all the way down by brilliant lightning. The cement block room was a pile of rubble.

‘The car!’ I shouted above the wind. ‘Get in the car!’

I tugged open the car door. The wind slammed it behind me and I fell face down on the floor in the back, Dan under my body. In the front Grant huddled over two-year-old Josh. In the face of death a primitive instinct had taken over—without thought, without reason—to shield our offspring with our own bodies. If a missile came through the windows we would die protecting the boys.

The car rocked and heaved in the wind but between the steel pillars of the house it could neither roll over nor blow away.

I began to realise I was still being pelted with rain and something else. I lifted my head and saw the back windscreen had exploded and rain and small gravel were coming in like shotgun pellets.

From under me an indignant voice said, ‘Put your head down, Mum! I’m getting wet!’

A strange noise joined the rolling thunder, the scream of the wind and the thud of flying wreckage hitting the house. I lifted my head and looked around. Each flash of lightning blinded me, leaving, in the following second of darkness, a clear photographic imprint on my retina. I saw the caravan at the house behind ours, securely roped this afternoon but now crumpled on top of a Land-cruiser, crushing the roof down onto the steering wheel so that the horn would blow continuously until it flattened the battery. At a distance of twenty metres the sound reached us only intermittently.

Despite the complaints from underneath, I did lift my head now and then to check the progressive disintegration outside. I assumed our house looked much the same as the house next door. No roof, partial walls. We briefly turned on our headlights and the lights of their car came on, too. We felt a rush of comfort. Someone else was alive out there.

Hours passed. Shadowy grey forms appeared that owed nothing to lightning. The wind had fallen dramatically, there were breaks between the drum-rolls and violent crashes of thunder and the lightning flickered less often. Cautiously we sat up. Nothing was flying through the air any more.

We stood high on the deck that had been our living room floor and looked around one hundred and eighty degrees.

The light grew and the scene was from Flanders or the Blitz or Vietnam. This couldn’t be Australia, these endless acres of shattered buildings, dangling power lines and wrecked cars, all in a vast muddy sea under low, racing, roiling grey clouds.

Through the leafless tree crowns we could see the ocean two kilometres away. A few robotic survivors wandered through the ruined suburbs. Somewhere in that direction, towards the sea, my parents and teenage brother lived, or had lived, until last night.

Grant said, quite matter of factly, ‘I’m going to walk over to Rapid Creek and see how your mum and dad and Johnny are.’

‘Okay,’ I said, matching his casual tone. ‘I’ll look for something for the boys to eat.’

The Christmas tree—so light, so buoyant—lay where it had fallen, wind-teased tinsel flickering in the occasional blaze of the sun as it rose between clouds. On the driveway the refrigerator sprawled on its back, disembowelled, its heavy door carried away on the wind.

The tricycles were propped against each other like two drunks who hadn’t made it home the night before, handlebar ribbons snapping in the wind.

I looked for any kind of food in the kitchen debris around the car. A packet of sodden mince pies! A perfect instant breakfast. But I needed more than that to keep the boys content in the little sanctuary of the car. I found Lego presents in soggy bright paper to distract them from wanting to venture out into the muddy wasteland of splintered timber, broken glass, twisted roofing iron, nails and smashed furniture. The sign from a baby clinic lay at my feet. The clinic was two kilometres away.

Power lines writhed over the flooded ground. Helpless, stranded in the little world of my personal disaster, I could only hope someone else would get the message out. Electricity must not be restored to the Northern suburbs.

Grant appeared in the distance, walking home with his eyes on the ground, absorbed in where he put his feet. Occasionally he looked up to the bare treetops where sheets of twisted roofing iron rocked menacingly. I tried and failed to read his body language but then he saw me and smiled.

‘The family are all fine. Not even a scratch! They spent the night in their car too. Everyone is supposed to go to Johnny’s high school. All the relief supplies are being taken there.’

‘We’ve got some food! Look in the refrigerator.’

‘Of course! Where else do you keep the food?’ He glanced into the white metal box that had landed neatly behind the car. Despite its ten foot plunge, two waterlogged cooked chickens and a cooked leg of lamb were still inside.

‘Look!’ He pulled out two large bottles of soft drink and we both laughed. We were like survivors of a shipwreck combing the shore.

The neighbours, who had gone missing before daylight, suddenly appeared. Grant asked, ‘Where are you going to stay?’

They pointed back over their shoulders. ‘At the primary school. There’s a lot of people there.’

‘Where are you going to get food from, then?’

‘Oh, the Red Cross will bring it.’

My emotions were fragile. I broke up at visions of elderly, plump Red Cross ladies in floral frocks floating down from the sky on parachutes with casserole dishes in their hands.

Overnight our suburb had become a marina and our house a waterfront property. We assumed there was as much jagged wreckage hidden under the water of the street as there was jutting out. We dragged the refrigerator off the drive, started the car, and bumped slowly down the road. We passed the shopping mall, people pouring out the broken glass doors behind trolleys loaded high with looted goods.

‘Come on! There’s plenty more inside,’ a man called out generously from behind the lolly-pink blanket folded on top of his booty.

What amazing presence of mind! Having barely escaped death, their first thoughts were that power to the alarms was off, the windows broken and the police otherwise occupied. It gave me a whole new understanding of Seize the day. And seize anything else you can get your hands on, too.

On the main road a front-end loader was clearing a single track for traffic. A police car passed us with three flat tyres. We reached the high school, a sturdy red brick stronghold on a vast spread of green sports fields. From every direction people were streaming towards it or sitting in groups on the grass so that it almost looked like a carnival. There were many times more people than the one thousand students who normally filled it. Trucks were delivering the contents of warehouses onto the lawns.

It was almost impossible to take in what we learned now. The whole city was destroyed.

There was no question of us sitting on the grass in a family group waiting to be rescued. My mother was not that kind of a person. We found her in the domestic science kitchen with a dozen others, firing up the bottled gas stoves, roasting chickens and boiling vats of rice.

With the poise of someone who survived disasters on a weekly basis, she pointed at my teenage brother and said, ‘Johnny will look after the boys. You come and help.’

Thousands of dazed people were sitting on the grass, the stairs, the verandahs, the school desks, the floors. It was Christmas Day and the world was on holiday. Did anyone know what had happened to us? We were four thousand kilometres from help. How would we go on, with no water, no phones, no power, no sanitation? The home of every policeman, every doctor, every emergency worker had been destroyed. As they struggled to save lives and restore the city, their own families camped out in the ruins, stripped of everything.

Grant joined the crew digging latrines. A stranger with some air of authority sent me out to the lawns to identify any cartons that could be called medical supplies and move them upstairs to the medical centre, once known as the high school library.

Imagine a Coles supermarket and a Big W scattered at random from the sky. As I picked out Lactogen and Huggies and sunburn cream, some small Aboriginal boys who knew me wandered over to talk. ‘Come and meet our families.’ When they learned what I had to do, the medical cartons began to disappear upstairs to the library faster than I could identify them.

I was reassigned to the endless task of stemming thawed blood from the mountain of frozen chickens in the kitchen. Mop and mop and mop, fill the bucket, empty the bucket. Mop and mop. Fill the bucket. Empty the bucket. Around the clock. A distinct camaraderie developed between the police and those civilians who were part of the effort to survive and recover. We felt special, a small elite.

On the day after Christmas Grant reported to his office at the Forestry Department. My dad had a morning wash beside his neighbour’s swimming pool and hitch-hiked to his city office. Word came to us at the high school that Alan Stretton, head of the Natural Disasters Organisation, had arrived on the first incoming RAAF plane. Under the Major General’s leadership, Darwin began to crackle. The spontaneous survival efforts were given new energy.

But what do you do with fifty-nine thousand people living in the world’s largest garbage dump? The message went out: evacuation. We knew Stretton was right. We were keeping the kitchen open around the clock to feed the thousands camped at the school. The cooks stood in bloody water oozing from a mountain of chickens still waiting to become roast dinners.

The injured, and then women and children, then men, would be flown south. But rumours came back from the airport of violent scenes where men who were not injured fought to join the first flights.

What was our family going to do? Other rumours were also circulating, of senior public servants and company managers who had fled the city without a word. It had become a badge of honour and a duty to stay at your post. My dad was thriving on the challenge, feeding on the adrenaline like oxygen. He and Grant would stay but what about the rest of us?

‘The little boys and Johnny will go to your sister in Brisbane,’ my parents told me.

‘My boys don’t know her! They are really shaken up by what’s happened. They need their mother!’

‘They’ll be far better off in Brisbane,’ Grant said. ‘This is no place for children but I need you here. There is a lot you can salvage at the house.’

Dan and Josh’s tears changed nothing. I wrote my sister’s name and address on handkerchiefs and knotted them around little sun-browned wrists. If they got separated from Johnny someone would know where they should be sent. I knelt in the school carpark and hugged them and we cried and a bus took them to the airport.

The high school was being emptied. New volunteers took over the kitchen to feed those who were left. There were rumours of looters roaming the suburbs. It was time to go back to the house.

Someone told us the ABC was coming back on air.

I walked four kilometres back home. After living in a crush of bodies I was completely alone. I found the little transistor radio, opened it and the sun dried it out. I switched it on just as thirty-four hours of radio silence was broken with the haunting, defiant, jaunty theme of the television drama Rush and the tears poured down my face. It was music to tell us Darwin was back in business. Darwin would grieve but not be broken. Darwin would live again as a community.

I began to find our remaining clothes, books and photos. I dragged sopping things from smashed cupboards and spread them out in the hot sun. Frantic with thirst I raided neighbours’ homes for bottled water. My lips cracked and my skin burned and peeled in the shadeless wasteland.

In the late afternoon I walked back to the school where someone fed me and someone else treated me for sunburn. My dad, a born raconteur, told stories of his day as official minder of the international press. Grant had been official minder of twelve gangs with chainsaws clearing trees from roads. I missed my kids desperately. I couldn’t believe someone else was giving them their tea and putting them to sleep in strange beds.

The radio told us fifty-nine people had died in the cyclone.

Next day at the house roaming packs of starving dogs menaced me.

‘I’m really scared,’ I told Grant when he came home from the chainsaw gang.

‘I’ll get the shotgun from the office and we’ll drive out along a quiet bush track and I’ll show you how to shoot.’

I dried books and papers and photos and clothes and packed them in boxes that I hammered together from kitchen cupboards. Somehow I sent Grant off to work each day in clean clothes. Downtown in the city some phone lines got connected and my sister rang my dad at the Media office. The boys were very quiet, she said. They clung to each other, they cried easily, and jumped at loud noises.

‘Don’t get upset,’ Grant told me. ‘In a day or so they’ll settle down. And as soon as we can, we’ll have them back. I promise.’

I looked at the acres and acres of nothing but ruins. How soon is soon? And why is doing your job all that matters? Why does our family always have to be the heroes, always rise to the occasion? And is there only one way of dying, one way a cyclone can kill you, kill your family, your marriage?

A truck from Grant’s office came to the house and took away the boxes I had manufactured and packed, and put them into storage.

‘Now,’ said my dad, ‘You’ll move in with us, in what’s left of our house.’

‘We’ll get by until the rebuilding starts,’ my mother added.

I sat in our car, in what had been my garden, with the loaded shotgun between the bucket seats. I pulled the road maps out of the glove box. I measured the distance to Brisbane. I calculated how much petrol I would need and how much it would cost. I climbed out of the car, picked up the two tricycles and tied them upright on the roof rack. The ribbons on the handlebars snapped crisply in the wind.

Tonight, when they looked for me, I would be in Katherine.

'Christmas Requiem' by Julia Archer is a short story from Cracker: A Christmas collection.

To find out more about Cracker please click here.

How to make Coke Chicken

We can’t believe that we helped bring Dean Lahn’s Beat Heat Eat recipes to the public. Coke chicken?? Really??! What’s even worse is that the damn thing tastes delicious …

Dean Lahn's Beat Heat Eat

You’re not going to find this dish in any self-respecting kitchen – that’s why you are going to make it in yours. Give in to the Dark Side.

PARTS:

(A) 1 litre Coke
(B) tomato sauce (optional)
(C) 4 chicken breasts
(or similar quantity of drumsticks and/or wings)

Pork chops can be cooked in the same way.

SERVES: 4

PREP TIME: 5 minutes

COOK TIME: Somewhere between 45 minutes and 1 hour

TOOLS:

(1) 1 large pot

ASSEMBLY:

Mix together the Coke and tomato sauce in a large pot. Use 2 glugs of sauce for each chicken breast or 1 glug for each wing or drumstick. And 1 for good luck.

Dean Lahn's monstrous cooking: Coke Chicken from Beat Heat Eat

Heat this on the stove top on high until it bubbles, then turn it down to low.

Throw in the chook and poke it about to cover it in the liquid.

Simmer uncovered for 45 minutes to 1 hour.

Don’t worry about this being soupy at first. The Coke thickens as it cooks.

For this and more abominable recipes from Dean’s kitchen, grab a copy of Beat Heat Eat here.

A Very Italian Drive to Work

This is a laugh: an Italian drive to work, according to Vincenzo Cerami’s by turns witty, delightful and vicious A Very Normal Man, translated into English for the first time in 2015 by Isobel Grave.

 

Giovanni’s 850 was parked at an angle over the footpath outside UPIM, a big department store. He had to be in the office by half past eight. The Ministry was only a short distance from Rome’s central station and since Giovanni lived at the far end of the Tuscolano district, he would come as far as San Giovanni in Laterano, from there he’d cross Piazza Vittorio and then skirt the entire length of the station from the regional lines to the terminus. Once he’d crossed Piazza Esedra, he was at the Ministry.

That morning was not the same as all Giovanni’s other mornings. Normally he’d be swearing from the second he got into his car till he was inside the doors of the Ministry. He’d bawl out drivers and pedestrians, lean on the horn furiously, deal out vicious abuse to anyone he thought was trying to get in his way, rant and rave against everything and everyone—the Council, the National Roads Board, the government and the nation.

But that morning he kept to himself, nice and quiet, and made the trip in an orderly manner—no horn blasts left, right and centre, no yelling, all traffic signs observed.

This was behaviour to incense other road users: distorted apefaces screamed abuse at him from the small but comprehensive morning rush-hour repertoire. Inside his little metallic refuge Giovanni was blind, deaf and dumb, oblivious to everything, not of this world.

On either side of him score on score of cheap runabouts ripped past at full speed, mounting the curb freely, driving along the tramlines, young thugs at the wheel in a breakneck charge, horns blaring as if they were delivering road victims to Emergency at San Giovanni.

The old man felt confused. He kept thinking about his son and the dream he’d had the night before …

An Italian drive to work, from A Very Normal Man by Vincenzo Cerami, trans. Isobel Grave

Read more here.

Friday funday!

Okay guys, it’s been a while since we’ve done one of these, but it’s Friday funday! That’s a thing, right? Anyway, there’ve been some pretty cool links around recently and we wanna share.

First, we have the ultimate test of Aussie English. Okay, so it’s Buzzfeed, which means it’s a laugh, but there are some little beauties on this list – or should we say bloody rippers?

Next, to take it up a notch, Merriam-Webster have a quiz to test how strong your vocabulary is. You only have ten seconds to answer each question, and it’s bloody stressful. Especially for editors. We have a lot riding on this, guys!

If you actually want a good read, rather than endless quizzes (not that there’s anything wrong with quizzes!) trundle over to the Guardian, where there’s a piece about 2016’s word of the year: post-truth. Perfectly apt, given the situation in America at the moment (and elsewhere). Still, take us back to last year, when the word of the year was an emoji. Ah, simpler times …

And last but certainly not least, the Bad Sex in Fiction awards are back! Some of the quotes will leave you breathless – in a bad way:

I spill like grain from a bucket

My whole body had gone inside her. … My body was her gearstick.

The act itself was fervent. Like a brisk tennis game or a summer track meet, something performed in daylight between competitors.

Oh, bless. There’s nothing like a brisk game of tennis.

And now, to welcome the weekend, to pay our dues, in memoriam, and just because he is/was/will always be the best, we’ll leave you with some Leonard. A man whose lyrics were never, ever, nominated for a bad sex award …

Paul Hansen’s Orange Cake

One of the many great stories in Liz Harfull’s The Blue Ribbon Cookbook comes from Paul Hansen, and his delicious orange cake:

You would be hard-pushed to describe Paul Hansen as a typical show cook. Born and bred at historic Kulcurna Station near Lake Victoria, Paul counts taxidermy, song writing and photography among his many skills. He also makes a mean orange cake. Although he has been known to whip up a six-course dinner party for 80 people to raise money for the local gun club, his training for the task was far from conventional. ‘I work away a lot in mustering camps and I am normally head cook and bottle washer for eight to ten people, but there is not a lot of cake cooking,’ he says.

Paul Hansen with his orange cake

Like many country show towns, Renmark has introduced a men’s only cake competition in recent years to generate fresh interest in cookery. The contest is fierce in this Riverland version, which celebrates local produce by insisting the blokes make an orange cake using a recipe provided. Paul won first prize in 2007 with a cake decorated by torchlight on the bonnet of his ute; he had to do it at the last minute after being held up organising entries for the wool section, which he convenes. ‘I don’t take it too seriously. I just came in after work one evening, threw everything into a bowl, mixed it up, put it in the oven and off we went,’ he says. ‘I just did what they said I had to do in the show book.’

Paul has also been known to enter taxidermy in the craft section. He studied the relatively lost art by correspondence about eighteen years ago, and has sometimes been asked by wildlife services to help preserve animals and birds for display. ‘I don’t know what got me into it,’ he confesses. ‘But I don’t do heads on walls. I am more interested in preservation.’

Through his volunteering and competing at the show, Paul is following a long-standing family tradition. His great grandfather exhibited at the very first Renmark Show, and the society is due to hold its 100th event in 2010. It comes at a time when the show society is gaining a new lease of life, winning a Community Event of the Year award and drawing more patrons. Among the most popular attractions are the vintage tractor and stationery engine displays, a ute muster, native animal displays, and a giant sandpit for the children.

Orange Cake from Liz Harfull's Blue Ribbon Cookbook blue_ribbon_cookbook_image_p143b blue_ribbon_cookbook_image_p143c

Paul Hansen’s Orange Cake

85 g butter (or margarine), softened
3 eggs (50 g each)
114 cups SR flour, sifted
12 cup castor sugar
90 ml orange juice
grated rind of one navel orange

Preheat the oven to moderate (180 ºC in a conventional electric oven).

Grease a 20 cm round cake pan, and line the base.

Put the butter, eggs, flour, sugar, orange juice and rind in a large bowl and beat with an electric mixer for about 3 minutes. Pour the mixture into the prepared cake pan and bake for 30 to 40 minutes, until golden brown and firm to the touch.

Holden in a flood

Don Loffler must be one of our most prolific authors at Wakefield Press, and he’s one of our most popular, too! His books on the early Holdens and their history have been read and reread, printed and reprinted, with the sixth in the series released late last year. With each book there’s a flood of interest and new material for Don to work with – he’s got several more books in the pipeline. Below we have a wonderful example of a photo telling 1000 words – a Holden in a flood – from Don’s latest book, Holden Snapshots.

 

Holden Snapshots by Don Loffler

‘My late dad, Noel Kenwery, used to carry a camera with him at all times. Here is a photo of an incident in Footscray in the mid 60s. Victoria Street underpass often flooded (and still does) in a heavy rain period. Often car drivers would “risk it” and drive through the water, not knowing the depth. In this case an FE Holden didn’t make it and is seen floating around in the water. I’m not sure if it is the owner of the car inside or not. I seem to recall my dad saying it was his dog! The old army Chevy truck which has been converted into a tow truck has arrived. The towie driver has stripped down to his underwear and is about to wade in and attach a cable!’ Noel Kenwery, courtesy of Paul Kenwery

Prize-winning poetry from Jude Aquilina

Talented SA poet, Jude Aquilina, has just won the 2016 Adrien Abbott Prize with her poem Adrift on Lethe which we’re sharing with you here today.

The Adrien Abbott Proze was launched in 2012, in memory of Adrien – a gifted writer and inspirational teacher of English, who died before her time in May 2012. The theme for 2016 was ‘Memory’, with a prize of $500.

Adrift on Lethe

I have forgotten what it is like to hold my nakedness like a wildflower. I have forgotten the silent potency of colours, their barbs ambushing me with a childlike urge to stop and touch a pretty bit of litter. I have forgotten how to ride a bicycle; god knows, I pushed a hole in the privet hedge during those cruel months of disbelief in balance. I have forgotten the face of my father and the gossip between his clocks as they tick-tocked and chimed in disharmony. I have forgotten the sting of cold concrete on my bare bottom and the bite of a ruler on my knuckles for forgetting my underwear. I have forgotten the dream of flying – willing myself to glide down from the loquat tree and swoop over the heads of aunts and uncles; I have forgotten their eyes, their pets, their grappa and backyard goats. I have forgotten who and what I used to be. I have forgotten to comb my free time for cowry shells and spider orchids. I have forgotten how to read the shores of my old self.

The judge, Mark Tredennick, commented that ‘in the end, for its grace of language, idea and form, “Adrift” stood out … Lovely poem, which I know Adrien would have loved, and which brings her to mind to all of us who knew her.’

Congratulations Jude!

 


Tadpoles in the Torrens cover Tchr edn V4.indd

If you enjoyed this, why not grab a copy of Jude’s edited collection of children’s poems, Tapdoles in the Torrens: Teachers’ Edition. It also features poetry from Max Fatchen, Peter Coombe, Mike Lucas and Sean Williams, just to name a few.