How to make Coke Chicken

We can’t believe that we helped bring Dean Lahn’s Beat Heat Eat recipes to the public. Coke chicken?? Really??! What’s even worse is that the damn thing tastes delicious …

Dean Lahn's Beat Heat Eat

You’re not going to find this dish in any self-respecting kitchen – that’s why you are going to make it in yours. Give in to the Dark Side.

PARTS:

(A) 1 litre Coke
(B) tomato sauce (optional)
(C) 4 chicken breasts
(or similar quantity of drumsticks and/or wings)

Pork chops can be cooked in the same way.

SERVES: 4

PREP TIME: 5 minutes

COOK TIME: Somewhere between 45 minutes and 1 hour

TOOLS:

(1) 1 large pot

ASSEMBLY:

Mix together the Coke and tomato sauce in a large pot. Use 2 glugs of sauce for each chicken breast or 1 glug for each wing or drumstick. And 1 for good luck.

Dean Lahn's monstrous cooking: Coke Chicken from Beat Heat Eat

Heat this on the stove top on high until it bubbles, then turn it down to low.

Throw in the chook and poke it about to cover it in the liquid.

Simmer uncovered for 45 minutes to 1 hour.

Don’t worry about this being soupy at first. The Coke thickens as it cooks.

For this and more abominable recipes from Dean’s kitchen, grab a copy of Beat Heat Eat here.

A Very Italian Drive to Work

This is a laugh: an Italian drive to work, according to Vincenzo Cerami’s by turns witty, delightful and vicious A Very Normal Man, translated into English for the first time in 2015 by Isobel Grave.

 

Giovanni’s 850 was parked at an angle over the footpath outside UPIM, a big department store. He had to be in the office by half past eight. The Ministry was only a short distance from Rome’s central station and since Giovanni lived at the far end of the Tuscolano district, he would come as far as San Giovanni in Laterano, from there he’d cross Piazza Vittorio and then skirt the entire length of the station from the regional lines to the terminus. Once he’d crossed Piazza Esedra, he was at the Ministry.

That morning was not the same as all Giovanni’s other mornings. Normally he’d be swearing from the second he got into his car till he was inside the doors of the Ministry. He’d bawl out drivers and pedestrians, lean on the horn furiously, deal out vicious abuse to anyone he thought was trying to get in his way, rant and rave against everything and everyone—the Council, the National Roads Board, the government and the nation.

But that morning he kept to himself, nice and quiet, and made the trip in an orderly manner—no horn blasts left, right and centre, no yelling, all traffic signs observed.

This was behaviour to incense other road users: distorted apefaces screamed abuse at him from the small but comprehensive morning rush-hour repertoire. Inside his little metallic refuge Giovanni was blind, deaf and dumb, oblivious to everything, not of this world.

On either side of him score on score of cheap runabouts ripped past at full speed, mounting the curb freely, driving along the tramlines, young thugs at the wheel in a breakneck charge, horns blaring as if they were delivering road victims to Emergency at San Giovanni.

The old man felt confused. He kept thinking about his son and the dream he’d had the night before …

An Italian drive to work, from A Very Normal Man by Vincenzo Cerami, trans. Isobel Grave

Read more here.

Friday funday!

Okay guys, it’s been a while since we’ve done one of these, but it’s Friday funday! That’s a thing, right? Anyway, there’ve been some pretty cool links around recently and we wanna share.

First, we have the ultimate test of Aussie English. Okay, so it’s Buzzfeed, which means it’s a laugh, but there are some little beauties on this list – or should we say bloody rippers?

Next, to take it up a notch, Merriam-Webster have a quiz to test how strong your vocabulary is. You only have ten seconds to answer each question, and it’s bloody stressful. Especially for editors. We have a lot riding on this, guys!

If you actually want a good read, rather than endless quizzes (not that there’s anything wrong with quizzes!) trundle over to the Guardian, where there’s a piece about 2016’s word of the year: post-truth. Perfectly apt, given the situation in America at the moment (and elsewhere). Still, take us back to last year, when the word of the year was an emoji. Ah, simpler times …

And last but certainly not least, the Bad Sex in Fiction awards are back! Some of the quotes will leave you breathless – in a bad way:

I spill like grain from a bucket

My whole body had gone inside her. … My body was her gearstick.

The act itself was fervent. Like a brisk tennis game or a summer track meet, something performed in daylight between competitors.

Oh, bless. There’s nothing like a brisk game of tennis.

And now, to welcome the weekend, to pay our dues, in memoriam, and just because he is/was/will always be the best, we’ll leave you with some Leonard. A man whose lyrics were never, ever, nominated for a bad sex award …

Paul Hansen’s Orange Cake

One of the many great stories in Liz Harfull’s The Blue Ribbon Cookbook comes from Paul Hansen, and his delicious orange cake:

You would be hard-pushed to describe Paul Hansen as a typical show cook. Born and bred at historic Kulcurna Station near Lake Victoria, Paul counts taxidermy, song writing and photography among his many skills. He also makes a mean orange cake. Although he has been known to whip up a six-course dinner party for 80 people to raise money for the local gun club, his training for the task was far from conventional. ‘I work away a lot in mustering camps and I am normally head cook and bottle washer for eight to ten people, but there is not a lot of cake cooking,’ he says.

Paul Hansen with his orange cake

Like many country show towns, Renmark has introduced a men’s only cake competition in recent years to generate fresh interest in cookery. The contest is fierce in this Riverland version, which celebrates local produce by insisting the blokes make an orange cake using a recipe provided. Paul won first prize in 2007 with a cake decorated by torchlight on the bonnet of his ute; he had to do it at the last minute after being held up organising entries for the wool section, which he convenes. ‘I don’t take it too seriously. I just came in after work one evening, threw everything into a bowl, mixed it up, put it in the oven and off we went,’ he says. ‘I just did what they said I had to do in the show book.’

Paul has also been known to enter taxidermy in the craft section. He studied the relatively lost art by correspondence about eighteen years ago, and has sometimes been asked by wildlife services to help preserve animals and birds for display. ‘I don’t know what got me into it,’ he confesses. ‘But I don’t do heads on walls. I am more interested in preservation.’

Through his volunteering and competing at the show, Paul is following a long-standing family tradition. His great grandfather exhibited at the very first Renmark Show, and the society is due to hold its 100th event in 2010. It comes at a time when the show society is gaining a new lease of life, winning a Community Event of the Year award and drawing more patrons. Among the most popular attractions are the vintage tractor and stationery engine displays, a ute muster, native animal displays, and a giant sandpit for the children.

Orange Cake from Liz Harfull's Blue Ribbon Cookbook blue_ribbon_cookbook_image_p143b blue_ribbon_cookbook_image_p143c

Paul Hansen’s Orange Cake

85 g butter (or margarine), softened
3 eggs (50 g each)
114 cups SR flour, sifted
12 cup castor sugar
90 ml orange juice
grated rind of one navel orange

Preheat the oven to moderate (180 ºC in a conventional electric oven).

Grease a 20 cm round cake pan, and line the base.

Put the butter, eggs, flour, sugar, orange juice and rind in a large bowl and beat with an electric mixer for about 3 minutes. Pour the mixture into the prepared cake pan and bake for 30 to 40 minutes, until golden brown and firm to the touch.

Holden in a flood

Don Loffler must be one of our most prolific authors at Wakefield Press, and he’s one of our most popular, too! His books on the early Holdens and their history have been read and reread, printed and reprinted, with the sixth in the series released late last year. With each book there’s a flood of interest and new material for Don to work with – he’s got several more books in the pipeline. Below we have a wonderful example of a photo telling 1000 words – a Holden in a flood – from Don’s latest book, Holden Snapshots.

 

Holden Snapshots by Don Loffler

‘My late dad, Noel Kenwery, used to carry a camera with him at all times. Here is a photo of an incident in Footscray in the mid 60s. Victoria Street underpass often flooded (and still does) in a heavy rain period. Often car drivers would “risk it” and drive through the water, not knowing the depth. In this case an FE Holden didn’t make it and is seen floating around in the water. I’m not sure if it is the owner of the car inside or not. I seem to recall my dad saying it was his dog! The old army Chevy truck which has been converted into a tow truck has arrived. The towie driver has stripped down to his underwear and is about to wade in and attach a cable!’ Noel Kenwery, courtesy of Paul Kenwery

Prize-winning poetry from Jude Aquilina

Talented SA poet, Jude Aquilina, has just won the 2016 Adrien Abbott Prize with her poem Adrift on Lethe which we’re sharing with you here today.

The Adrien Abbott Proze was launched in 2012, in memory of Adrien – a gifted writer and inspirational teacher of English, who died before her time in May 2012. The theme for 2016 was ‘Memory’, with a prize of $500.

Adrift on Lethe

I have forgotten what it is like to hold my nakedness like a wildflower. I have forgotten the silent potency of colours, their barbs ambushing me with a childlike urge to stop and touch a pretty bit of litter. I have forgotten how to ride a bicycle; god knows, I pushed a hole in the privet hedge during those cruel months of disbelief in balance. I have forgotten the face of my father and the gossip between his clocks as they tick-tocked and chimed in disharmony. I have forgotten the sting of cold concrete on my bare bottom and the bite of a ruler on my knuckles for forgetting my underwear. I have forgotten the dream of flying – willing myself to glide down from the loquat tree and swoop over the heads of aunts and uncles; I have forgotten their eyes, their pets, their grappa and backyard goats. I have forgotten who and what I used to be. I have forgotten to comb my free time for cowry shells and spider orchids. I have forgotten how to read the shores of my old self.

The judge, Mark Tredennick, commented that ‘in the end, for its grace of language, idea and form, “Adrift” stood out … Lovely poem, which I know Adrien would have loved, and which brings her to mind to all of us who knew her.’

Congratulations Jude!

 


Tadpoles in the Torrens cover Tchr edn V4.indd

If you enjoyed this, why not grab a copy of Jude’s edited collection of children’s poems, Tapdoles in the Torrens: Teachers’ Edition. It also features poetry from Max Fatchen, Peter Coombe, Mike Lucas and Sean Williams, just to name a few.

Baked Stuffed Sardines

Victoria Cosford’s Amore and Amaretti is a food-lover’s delight: a romance, an escape and a tribute to Italian cooking all in one.

Here, she describes old widower Annunzio, with whom she had to share a flat at Portoferraio while they were both working at the same restaurant. At first she is daunted by the old man, but soon she finds comfort in his gentleness and eccentricity, not to mention his baked stuff sardines …

 

Annunzio soaks his underwear in Omino Bianco bleach; returning to our apartment, I see the line of large, blindingly white square underpants and billowing singlets which marks his bedroom window. Each evening before work, he and I pause briefly for a spumantino at the same bar.

At night after Annunzio and I have scrubbed the kitchen down, we set up a small table and two chairs out the back of the kitchen and have our dinners. I only ever eat two things, which I alternate: char-grilled swordfish with Annunzio’s lemon-olive oil emulsion drizzled over the top, or bulgy buffalo mozzarella sliced with ovals of sweet San Marzano tomatoes and spicy basil. This too is Annunzio’s favourite meal, the tomatoes at their peak of ripeness, their glossy egg shapes sliced vertically and arranged over the cheese.

All Annunzio’s movements are ponderous. He rotates his thick fingers slowly over the plate, salt and pepper scattering. The basil leaves, the new green olive oil, and then the slow messy business of eating – teeth clicking, oil spraying, bread sopping up the juices and gumming his conversation. We both eat too much bread and drink too much wine, and then wander, two unlikely friends, down to Bar Roma at the water’s edge to sit watching the boats. Annunzio tells me stories from his life over his baby whisky; I spoon pistachio-green gelato into my mouth from a silver dish and feel safe and very young.

Annunzio’s stories all follow the same pattern: past restaurants he has owned or managed, which failed, leaving him jobless, defeated, disillusioned and desperately poor. People he had trusted who had turned their backs; countries he had lived in, whose languages he had learned, which had finally disenchanted  him. The woman he should have married and whom he still loves instead of the sick woman who was his wife. His huge yellow teeth seem to bite something – perhaps the air – as he speaks. The clicking boats with lives of their own, their rhythmic nodding, canvas clapping, are like some massive beast slumbering restlessly. That he can make me feel like this – sweet somehow, and pure, and uncorrupted – is one of the best reasons for loving him.

Annunzio’s blunt fingers press mixture into splayed sardines. L’impasto consists of bread soaked in milk, finely chopped parsley and garlic, ground mortadella, grated parmesan, sultanas and pine nuts. He shows me how to pinch up the sides of the sardines and place them in neat rows in a baking tray, slipping a bay leaf in between each. Then he splashes white wine over the top and bakes them for about fifteen minutes.

Sarde al Beccafico

(Baked stuffed sardines)

2 slices day-old rustic bread
Milk
2 tablespoons sultanas
2 tablespoons pine nuts
80–100 grams mortadella, as finely chopped as possible
2 tablespoons grana or parmesan, freshly grated
Grated rind 1 lemon
2 fat cloves of garlic, finely chopped
2/3 bunch parsley, finely chopped
Salt and pepper
750 grams fresh sardines, filleted and butterflied
Bay leaves
White wine
Olive oil

Preheat oven to 200 °C. Soak bread in milk briefly, then squeeze dry. Place in a bowl together with sultanas, pine nuts, mortadella, cheese, lemon rind, garlic and parsley, season with salt and pepper and combine well. Place about a teaspoon of mixture in the middle of each sardine and arrange on baking tray with a bay leaf between each. Sprinkle wine over the top and drizzle with olive oil. Bake for 10 to 15 minutes. Serve as part of an antipasto.

Amore and Amaretti, where you can find Annunzio's recipe for Baked Stuffed Sardines

Fish Carvings from Catherine Truman

One of our major releases for this year is the latest SALA monograph, Catherine Truman.

With a lush, evocative text from Melinda Rackham, this book delves into the fascinating world of Truman’s art.

One of her earliest series, the Fish Carvings, has echoes throughout her career.

 

Catherine Truman by Melinda Rackham

 

Truman’s first solo exhibition, Fish Carvings (1987), held at the Contemporary Jewellery Gallery in Sydney, intuitively articulates a feminist discourse of difference in conceptions of ageing and beauty. Carved in two woods – youthful pink fleshy Australian silky oak and wide-grained greying mangrove, embedded with steel and lead – her Fish sit with the body, present in their own right, rather than being absorbed into the portable gallery of the wearer’s body.

Acting as a counterpoint to the carvings, a grid of handcoloured black and white images of women (and some men) of all ages wear the pieces. As Truman is fond of mentioning, given the right nutrients fish do not appear to get older, rather they will continue growing to fill the space that contains them. Instead of deteriorating with lived experience, her ageing subjects radiate the beauty and individuality of a rich interior life. The National Gallery of Australia quickly acquired a neckpiece from this series.

Fish Carvings from Catherine Truman by Melinda Rackham

Image by Catherine Truman

Blessing the Fleet from Liz Harfull’s Almost an Island

Almost an Island: The story of Robe

Liz Harfull’s Almost an Island is full of fascinating information about Robe on the Limestone Coast. One of the great traditions of the area is the blessing of the fleet, which happens every spring. Liz explains:

Blessing the Fleet

Every spring, at the start of the rock lobster fishing season, people gather at the Robe marina for an important ceremony. The Blessing of the Fleet brings peace of mind to the fishers and their families who are involved in what remains a risky way to earn a living.

According to celebrant Jan Bermingham, the tradition started sometime in the 1950s under the influence of immigrants arriving in Australia from Italy and Greece. Blessing the fleet is a strong tradition in Mediterranean countries where it is held every season to ensure a safe and bountiful fishing season. When the custom was introduced in Adelaide, an Anglican priest serving on the Limestone Coast thought it worth doing at Robe too.

Fishers have a reputation for being superstitious and the ceremony has real meaning for the community. At one stage it was moved to the end of November, weeks after the season started, so it could be part of a village fair designed to draw tourists to the town. ‘The local fishermen had the Church of England priest down here on the morning the season opened to bless them as they went out to sea. They were not going to wait a whole month,’ says Jan.

‘Even though a lot of fisherman don’t grace the doors of a church they are very, very conscious of their God.’

The ceremony involves a brief service, which seeks God’s blessing and commemorates the lives of fishers lost at sea. Teenagers then dive into the harbour to retrieve a wooden cross.

As the daughter, sister and aunt of professional fishermen, Jan knows the worry many families experience. ‘When we lose a boat everybody feels it,’ she says.

‘They don’t like to show emotion but they are so bonded together, and they know it could have been one of them.’

Blessing the fleet, from Almost and Island

Decorated fishing boats gather for an early Blessing of the Fleet ceremony, c. 1950s. (Courtesy Met Riseley)

Griller Thriller from Dean Lahn’s Beat Heat Eat

Dean Lahn's Beat Heat Eat

Gentlemen … raise your forks

Dean Lahn’s Beat Heat Eat is one of the most hilarious and practical books we’ve ever published at Wakefield Press. Designed as more manual than recipe book, Lahn has a simple blokey way of describing how to make some delicious food. But let’s be clear: this is not the way your Nanna would cook. Take, for example, the genius simplicity of Lahn’s Griller Thriller. Is he serious? Is it dangerous? There’s only one way to find out …

 

Have you ever come in late and felt the need for a melted cheese toastie? Quickly satisfy your craving with this trick.

YOU WILL NEED:

(A) a toaster

(B) bread

(C) cheese

HOW IT’S DONE:

Grab your toaster and turn it into a grilling machine by flipping it onto its side.

Work to the height of the slots in the toaster. Press the toppings flat if you’re over the limit.

Insert bread and cheese into toaster, ensuring the heat elements are clear of the toppings. Heat until done or the toaster pops.

Keep a close eye on the toaster and be ready to hit the eject button. This kid can light up real quick.

Danerous cheese toasties from Beat Heat Eat

WARNING:

Use this shortcut at your own risk.

You may also want to check the warranty on your toaster.

We agree, Dean, it just isn’t cooking if the activity doesn’t pose grave danger to you and your belongings! Why make grilled cheese the boring safe way? See this and more of Dean’s recipes in Beat Heat Eat, available here.