‘In a wild tale arcing from 1845 to the present, in poetry underpinned by meticulous research, we inhabit settler society with all its attendant joys, hardship and grief as we careen with Caroline through her journey of love, loss and horror into madness.’
– Biff Ward, author of In My Mother’s Hands
Invisible Mending ranges across genres including essay, memoir, short story and poetry. Based loosely on the ideas of scarring and healing, Invisible Mending extends from family intimacies to connection and disconnection in the Australian community, environmental damage and repair.
This witty, moving and accessible collection gathers poems from six previous books, beginning with Death as Mr Right, which won second prize in the 1982 Anne Elder Award for best first poetry book in Australia. With irony and frankness, Jeri Kroll workshops the complex relationships that individuals establish over the course of a lifetime with friends and family, as well as with the physical and social environments that shape them. In particular, she tackles the significance of parenthood, gender and ageing.
This week, the poetry spotlight shines once again on award-winning poet Geoff Goodfellow. This week’s poem comes from Waltzing with Jack Dancer: A slow dance with cancer. The collection was written by Geoff in the aftermath of his diagnosis with throat cancer, and chronicles his experiences with treatment, hospitals, and the Big C.
Today we are focusing on a different form of poetry, with a verse novel written by poet Bel Schenk. Our Poem of the Week is ‘Television Flickers’ from her book Every Time You Close Your Eyes. This verse novel features a series of short poems that, when strung together, paint a vivid picture of the North American blackouts of 1977 and 2003.
