RAPID FIRE QUESTIONS WITH: Elizabeth Hutchins

 Rapid Fire interviewIn our author interview series RAPID FIRE, we’re getting to know our authors a little better by throwing a few quick questions at them. Next up to the plate is Elizabeth Hutchins, author of Troop Train.

Troop Train is a moving and uplifting family saga, inspired by the stories of those who lived through the war in the Adelaide Hills. It is based on Elizabeth’s careful research studying newspaper articles, books, memoirs and historical collections – and talking to those who were there.

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BEHIND THE BOOKS: Fred Guilhaus on Road Rage

In this edition of Behind the Books, Fred Guilhaus answers all of our burning questions about his new novel, Road Rage.

Close friends cycle to escape the pressures of big city living. A vehicle cuts them down from behind, causing serious injury. Is this road rage, car versus bike? Or is it a copycat terrorist attack?

Road Rage challenges notions of ‘them and us’, right and wrong. In the revelations of each life’s journey, Fred Guilhaus paints a gripping tale of modern life, with remarkable twists and turns.

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How to Work From Home: Lainie Anderson’s tips

How to Work from Home

Welcome to the week, and to a new blog series here at Wakefield Press! Introducing How to Work From Home: Authors talk about how they stay productive.

Like many others, we’ve recently begun the transition from office work to working from home. It’s a strange transition to make, and we need some help. We’ve interviewed a collection of our favourite authors to get their best tips, tricks and truths about working from home.

Lainie AndersonNext in the series is Lainie Anderson. Lainie has been a weekly columnist with Adelaide’s Sunday Mail since 2007, and previously worked at the Herald Sun in Melbourne and The Times in London. In 2017 she travelled to nine countries on a Churchill Fellowship to gauge the significance of the pioneering 1919 flight from England to Australia and the Vickers Vimy aircraft now housed at Adelaide Airport. Lainie was South Australia’s Epic Flight Centenary 2019 program ambassador.

Using war diaries, letters and Churchill Fellowship research from along the race route, Lainie’s Long Flight Home recreates one of the most important – and largely forgotten – chapters in world aviation history.

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How to Work from Home: Annette Marner’s tips

How to Work from Home

Welcome to the week, and to a new blog series here at Wakefield Press! Introducing How to Work From Home: Authors talk about how they stay productive.

Like many others, we’ve recently begun the transition from office work to working from home. It’s a strange transition to make, and we need some help. We’ve interviewed a collection of our favourite authors to get their best tips, tricks and truths about working from home.

Annette MarnerNext in the series is Annette Marner, is an award-winning poet, novelist, fine art nature photographer and ABC radio broadcaster from South Australia’s Southern Flinders Ranges. In 2018, she won the Arts South Australia Wakefield Press Unpublished Manuscript Award at the Adelaide Festival Awards for Literature for A New Name for the Colour Blue. Her first book, Women with Their Faces on Fire, won the Unpublished Manuscript Award for Poetry for Friendly Street/Wakefield Press and was on the reading list at Flinders University.

Annette is also an established fine art nature photographer, and has had her work featured in group and solo exhibitions, as well as having her images published internationally.

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How to Work from Home: Poppy Nwosu’s tips

How to Work From Home: Ali Whitelock

Welcome to the week, and to a new blog series here at Wakefield Press! Introducing How to Work From Home: Authors talk about how they stay productive.

Like many others, we’ve recently begun the transition from office work to working from home. It’s a strange transition to make, and we need some help. We’ve interviewed a collection of our favourite authors to get their best tips, tricks and truths about working from home.

Poppy NwosuNext in the series is Poppy Nwosu, an Australian YA author. Her debut novel, Making Friends with Alice Dyson, was shortlisted for the 2018 Adelaide Festival Unpublished Manuscript Award, and for the 2019 Readings Young Adult Book Prize. It will be published by Walker US in 2020. Poppy’s latest novel, Taking Down Evelyn Tait, is a story about family, friends and embracing who you are. Even if that person is kind of weird.

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How to Work from Home: Lisa Walker’s Tips

How to Work From Home: Ali Whitelock

Welcome to the week, and to a new blog series here at Wakefield Press! Introducing How to Work From Home: Authors talk about how they stay productive.

Like many others, we’ve recently begun the transition from office work to working from home. It’s a strange transition to make, and we need some help. We’ve interviewed a collection of our favourite authors to get their best tips, tricks and truths about working from home.

Next in the series is Lisa Walker, whose body-positive detective romp, The Girl with the Gold Bikini, features a hearty appreciation for the glitz and glamour of the Gold Coast. Lisa writes novels for adults and young adults, and has written an ABC Radio National play. She has worked in environmental communication and as a wilderness guide, and recently spent six months in a Kmart tent in outback Australia.

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HOW TO WORK FROM HOME: Stephen Orr’s Tips

How to Work From Home: Ali Whitelock

Welcome to the week, and to a new blog series here at Wakefield Press! Introducing How to Work From Home: Authors talk about how they stay productive.

Like many others, we’ve recently begun the transition from office work to working from home. It’s a strange transition to make, and we need some help. We’ve interviewed a collection of our favourite authors to get their best tips, tricks and truths about working from home.

Stephen OrrNext in the series is Stephen Orr, a school teacher moonlighting as an author (or vice versa, depending on the day). Stephen has published seven novels, a volume of short stories, and two books of non-fiction. Read on for Stephen’s full interview.

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An Interview With: Sara Peak, Work Experience Student

Sara, a year 10 student at Saint Peter’s Girls’ School, talks about books, her experiences at Wakefield Press, and the differences between boys and girls reading

What is the first book you ever read?

At the risk of sounding generic, the first book I ever read was Harry Potter and the Philosophers Stone. Before this, I lamented reading, but I was immediately drawn into the whirlwind of escapades at Hogwarts, and after reading the Harry Potter series, I started consuming literature at what my parents refer to as an alarming rate. As before this, all I had read were the picture books and young children’s novels given to me by my teachers, so Harry Potter showed me that books are more than a chore and are actually an adventure.

What attracted you to doing work experience at Wakefield Press?

Since I started reading, books have been an enormous influence in my life. When friends were few and far between, I always knew that I would have friends in books, and that they would guide me through anything I had to face. It seems only natural to me that I would take this passion for literature with me throughout my life and working as an editor or publisher is the perfect way to do this. I was attracted to doing work experience at Wakefield Press as I wanted to see what it would be like to work in the publishing industry, particularly in a local business, and determine whether publishing is something I’m actually interested in.

At the end of your work experience, what are your thoughts about working in publishing?

I think that I would absolutely love working in publishing. Being able to see publishing in action really highlights for me the incredible process that books go through before they arrive on the shelves, and then into my hands. I would love to be a part of this magical journey, and help make the books that I adore.

Do you think boys read differently from girls? If so, how? If not, why do you think so many people believe that?

I think that, to an extent, boys do read differently to girls, as boys and girls are raised extremely differently. From the moment they’re born, boys are encouraged to want to read about superheroes and fast cars, while girls are encouraged to read about fairies and princesses. While many people do break free from these stereotypes that are impressed on us since birth, it still has great influence over our reading choices into our later life. However, this is not to say that boys and girls read completely different books, but different books are marketed to boys and girls. I firmly believe that if boys and girls were raised the same way, reading habits would not vary among genders.

 What’s the last book you read for fun? What was fun about it?

I recently finished The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee. It is the second in the series, the first being The Gentleman’s Guide to Vice and Virtue. What I love about these books is that they really question what we have learnt about our history. As our history books are predominantly filled with straight, white men, reading historical books filled with queer people, people of colour, and strong, powerful women really turns history on its head, particularly as the author made the novels as historically accurate as possible.

What’s the last book you read and hated? What did you hate about it?

While I hate to hate books, I really despised Stephen King’s IT. In my opinion, the book is absolutely massive, and it has no reason to be. It was excessively long, with waffling descriptions that were completely irrelevant to the plot line. While there were many genuinely brilliant moments, they were far between, and reading the rest of it simply wasn’t worth it.

How do you find out about books you want to read?

I’m a prolific social media user, and I spend hours scrolling through bookstagrams and the #LoveOzYA tag to find new releases that interest me. I’m also well known in my local bookstores for showing up and looking through all of the new titles that interest me, and spending the vouchers I culminate every birthday, Christmas and Easter on them. As a member of two different book clubs, I also read the new releases that we look at every month.

Name a book or books that changed the way you think- in any way at all, large or small.

A book that changed by way of thinking was The Hate U Give by Angie Thomas. It changed the way I considered by privilege, and my activism. Although my white privilege was something, I was always vaguely aware of, I never truly considered what it meant and how it impacts not just my life, but the lives of many other people of colour until I read this book. This book is absolutely essential in shaping the way we think about racism, particularly the institutionalisation of it.

Based on what you see around you, do you think teenagers read more or less than they used to?

I think that teenagers read more than they used to, but in much less conventional ways. With social media increasingly becoming the most-used way to share information, photos are not the only thing shared. People are able to express ideas and writing via blogs, websites, tweets, captions and multiple other platforms. However, in regard to books, I think there always has been and always will a much smaller group of readers. Perhaps this group has expanded or decreased over time, I don’t know, but to me, it always remains very similar.

Who is your favourite author and why?

It definitely depends on the day and the mood! If I’m feeling romantic, then I love Jane Austen; nostalgic and I love F. Scott Fitzgerald; upset and I love both Mackenzi Lee and Becky Albertalli; inspired and I love Margot McGovern and Christina Lauren. I know this isn’t a very good answer, but I love all of these amazing authors, so if you want anything to read, check them out.

If you were banished to a desert island and could take three books with you, what would they be and why?

I would definitely take The Great Gatsby by F. Scott Fitzgerald. This is my favourite book of all time, as it’s commentary on capitalism, love and the American dream is absolutely genius. The way Fitzgerald wrote about Gatsby from Nick’s point of view allows the readers to admire Gatsby as Nick does, and as Nick claims to remain impartial and un-judgmental, his judgements on the situation away the author far more than if Gatsby had made his justifications himself. Thinking of another two books is harder as there are so many books I would want to take. I would take The Princess Saves Herself in This One by Amanda Lovelace, which is a beautiful book of poetry about being a girl growing up in a world in which we’re told that we’re to be saved by men. Lastly, I would take Leah on the Offbeat by Becky Albertalli, as it’s such a perfect coming-of-age that I know I could read it over and over without ever getting sick of it.

Keep an eye out for Sara’s other blog posts, coming soon!

Are you interested in completing work experience at Wakefield Press?  Contact maddy@wakefieldpress.com.au for more information.

 

 

 

An Interview With: Poppy Nwosu

In this latest author interview series, work experience student Sian Beatton interviews Poppy Nwosu, author of Making Friends with Alice DysonPoppy’s story came runner up for the 2018 Adelaide Festival Unpublished Manuscript Award, but here at Wakefield press we thought her story too good to go unnoticed. Poppy’s book is a romantic story about rumours, friendship, and discovering who you really are.

Poppy Nwosu

How do you keep a book interesting?

This is a great question!

For me, I think the biggest key to writing a book that is interesting the whole way through is to keep assessing whether I myself actually find what I’m writing interesting. I am a bit of a selfish writer, so I definitely write the kind of stories that appeal to me and that I find interesting personally, and I think that does make it easier to ensure my story is satisfying (for me at least! Ha!).

The flipside of this is that of course through the process of writing and editing a book, a writer is forced to read it through a MILLION times, so definitely don’t get worried if you end up finding your manuscript less interesting as time goes on. That doesn’t mean your work is no good, it just means you have read it a MILLION times, and that is totally okay.

Did you base any characters on yourself or people you know?

Although I do take tiny snippets from everyday life, I don’t think I have ever based a character entirely off myself or someone I know.

One of the main joys of writing for me is the opportunity to explore the things that make people tick, and often when I begin writing a story I don’t even know a huge amount about the characters myself! It then becomes part of that process of writing just to explore who they are and figure them out.

Actually, one of the most interesting things that has come out of the release of my debut novel, is that I have realised a LOT of people have presumed that the protagonist in my novel is based on me and my high school experience. Funnily enough, this is definitely not the case, and I actually had a lot of fun writing a character like Alice who is quite different to me in almost every way.

Making Friends with Alice Dyson CVR V6.inddDid you base the story on something?

I did!

The original idea was sparked by a cute viral video I watched on the net a few years ago, which featured a caught on camera goofy impromptu dance on the street by two teens walking home from school. I saw the video and just couldn’t stop thinking about who they were and what their friendship might be like, and that really morphed into this love story.

From there I was also influenced greatly by the cute romantic animes (Japanese animation shows) I was watching at the time and also by a book I adore, which is fun and light and moving all rolled into one (Jaclyn Moriarty’s fantastic #LoveOzYA novel Finding Cassie Crazy).

What did you learn from writing this novel?

This is another excellent question, and it made me sit down and think, because actually I’ve never stopped to wonder what I learned!

Probably the biggest challenge for me with writing ALICE was in figuring out how to ensure that the romantic tension between Alice and her new friend Teddy lasted the whole book. I think one of the most difficult parts of writing a love story is in keeping readers invested in that romance until the end of the book. That was a major challenge for me, and I hope that I learned how to accomplish it with this novel.

What do you want your readers to learn form this novel?

To be completely honest, although in hindsight I can see there are themes in ALICE about standing up for others and not buying into stereotypes etc. when I was actually writing it I never thought much about trying to teach anyone anything. There are ideas in it that I definitely wanted to explore myself,  but none that I felt like I wanted to teach.

In a lot of ways, and this may sound bad or weird, but I don’t know if it matters to me if readers can learn anything or not from what I write. I have always been of the mindset that fiction should make you feel something, and that is what I mostly set out to do. By writing the kind of story that I find realistic and romantic, that makes me feel happy, I think I hoped to make readers feel happy too.

How do you put emotion into your characters?

Right here you have hit on my absolute most favourite element of any story! Actually, I am obsessed with getting emotion across within my work, and one of the hugest parts of writing ALICE for me was to develop a love story that felt ultra possible and realistic, and create characters whose emotions readers could recognise and identify with.

I think every writer probably has different story elements that they most identify with and that they most want to bring out in their work (for instance, twisty plots or interesting fresh ideas etc.) but for me, embedding emotion into my characters and stories is always highest on my list. The easiest way I have found to do that is to really think deeply about a character’s reactions and actions, and think about how everything that occurs within the story might truly impact them and make them feel if they were real.

I think a great way to almost ‘learn’ emotions is also to read other books and watch movies and tv, and start analysing the character’s reactions within their stories. I often think, if that person was real, as in truly alive and real within that world, would they truly react that same way or would their emotional reaction be different?  This is actually the thing that can make or break a story for me. For instance, a story could have the most interesting satisfying plot in the world, but if the emotions and emotional arcs of the characters don’t ring true, if it doesn’t make me feel anything, then I won’t be able to love it.

Sometimes I think the stories we read or watch can almost occur in heightened realities, and therefore emotions in those stories can sometimes lose their grounding and depth, and end up feeling less impactful because they don’t feel true. I think that is okay to have stories like that, but personally I am always more moved by, for instance, a love story that feels grounded in true emotion, where the characters feel like they might actually continue to love each other long after the credits roll or the final page.

Gosh what a huge answer! Sorry! But you got me started on a very special topic! 🙂

How do you come up with an interesting ending to your stories?

Oh, this is a fun one to answer! Endings for me are very difficult, because I usually have only a very vague idea of where the story is going to end up when I begin writing it, and definitely no end scene or final plot point in mind. Which means I am usually left in a state of indecision by the time I make it to the end, wondering how to make it work and how to keep it interesting.

With ALICE, I really didn’t know how I was going to end the story, but I guess for me, as we discussed above, it does always come back to the emotion in the narrative. Most of all I wanted to write an ending that had a good emotional resolution for the characters, and when figuring out how to finish the story, I focused mostly on what felt right in terms of the character’s journeys, their emotional arcs and the love story itself. In some ways, I suppose the plot came second, and I figured it out later as a framework to prop up how I wanted the emotional side of the story to end.

Now that I think about it, I suppose that is the way I usually approach the ending of all the stories I write!

Want to experience the journey of Making Friends with Alice Dyson? Visit Wakefield Press at 16 Rose Street, Mile End SA 5031 or shop for the book online.

Keep an eye out for an interview with Sian, coming to the blog soon! In the meantime, follow Poppy’s writing journey over on her blog.

An Interview with: Claire Morey, Intern

Meet our wonderful intern, Claire, who recently completed her Honours degree in history (and then plunged right into a two-week stint at Wakefield Press!). Claire talks about the importance of self-aware history writers and the impact university has on reading habits.

 

What is the first book you ever read?

One of the first novel-sized books I can remember reading is probably Charlie and the Chocolate Factory by Roald Dahl. It seems to be the most memorable, maybe because I loved the edition and Quentin Blake’s illustrations so much.

What attracted you to doing your internship at Wakefield Press?

I’ve wanted to work in publishing for quite a long time but I hadn’t really thought to pursue it while I was studying. Now that I’ve graduated and have a lot more spare time I thought it would be a great opportunity to get involved with the publishing industry.

At the end of your internship, what are your thoughts about working in publishing?

I really enjoyed the internship! It’s helped me to solidify my interest in editing and proofreading, but it was also very interesting learning about other roles and how things operate behind-the-scenes.

You’ve done an Honours degree in history, so you must have read a few history books. What makes a history book engaging? And do you think history can tell us about the present as well as the past?

I really enjoy history books and historians that acknowledge their subjectivity and their inability to present a set of complete truths. In particular, history books that really cleverly weave together narrative and history with the past and present are the most engaging to me. A good example of this is Slicing the Silence by Australian historian Tom Griffiths. He is really fantastic at communicating history through interconnecting stories and historical figures in a constant conversation between past and present. Engaging historical writing can often read much like a novel.

What’s the last book you read and loved? What did you love about it?

Mary Lee: The life and times of a ‘turbulent anarchist’ and her battke for women’s rights by Denise George (published by Wakefield Press)! I really loved learning about a woman who, despite being so integral to the women’s suffrage movement of both South Australia and Australia as a whole, is hardly remembered or talked about in schools or general society. Reading such a captivating book has me thinking that primary and secondary school history could be far more interesting if we focus on incredible local historical events, such as women’s suffrage in South Australia and the women who fought so hard for it, rather than learning about the First Fleet over and over again.

What’s the last book you read and hated? what did you hate about it?

I don’t think I ever really hate books! It’s possible I only pick things up that I think I will like at least a little bit, so maybe I’m not that experimental in my reading choices. One book that I remember really struggling with was The Crying of Lot 49 by Thomas Pynchon. Perhaps it was a bit too postmodern for me back in first year university, I think I could handle it a bit better now (maybe).

How do you find out about books you want to read?

I get a lot of recommendations through friends, family, my boyfriend and uni. I also follow a YouTuber (Leena Norms) who works in publishing in London, so that has been a great way to discover contemporary titles that are being published.

Where do you buy your books? (In a bookshop, online, second-hand … Or do you use libraries?)

A combination of all of them! If there’s a book I really want then I’ll buy it, and if it’s a lot cheaper online then I am a bit guilty of buying books from Book Depository. I do like finding second-books and recently I’ve been trying to use libraries more often, but I do enjoy owning books, especially if I’ve really enjoyed it and want to reread it.

Does studying influence the kinds of books you read? (Other than set texts, of course!) If so, how? 

Yes, I did English and History at uni so studying English got me very interested in a lot of classics as well as postcolonial literature.

Only in the last few years have I read many history books, which I never would have known about if it weren’t for studying history at uni. Studying history has also given me a far greater understanding and interest in Australian history.

How do you feel about reading on-screen? Do you read e-books as well as print books? (And if you do both, what’s the split, time-wise?)

I much prefer reading print books, I only really read e-books if a print book isn’t available.

If you were banished to a desert island and could take three books with you, what would they be and why?

This is very hard! First I think I’d pick The Art of Time Travel  by Tom Griffiths because it’s a great compilation of Australian and Indigenous history and it’s really well written. Next maybe The Story of Art by EH Gombrich because it is so incredibly packed with information so would use up a lot of time while stuck on an island. The last one would probably be Jane Eyre by Charlotte Brontë as it is such a lovely, easy read that never gets old.

Claire recently reviewed Mary Lee: The life and times of a ‘turbulent anarchist’ and her fight for women’s rights by Denise George. Lauded by Natasha Stott Despoja as a book that should be in all schools, click here to find out what Claire thought!